Tag Archives: transgender

Gay History: The Erasure of Eleanor Rykener: A Case Study in Trans- and Bi- Phobia

The internet informs me that this week is Bisexual Awareness Week (consider: is your cat aware of the bisexual movement? Oh, and on a serious note, visibility matters). Allow me, then, to raise some questions about the way medieval studies has handled and assimilated the fascinating case of John Rykener, a male-cross dressing prostitute. If you took a gender-oriented medieval studies course in the last decade or so, or if you’ve read Karras’ Sexuality in Medieval Europe textbook, you’ve probably met John Rykener’s story in one form or another.

Allow me to tell you about Eleanor Rykener: assigned male at birth, she fell in with a woman named Elizabeth Broderer, who gave her women’s clothing and called her Eleanor. We do not know if Eleanor sought out Elizabeth, or if Elizabeth identified something in the young man she knew as John Ryknener that she could exploit: but as far as we know, it was with Elizabeth that Eleanor first lived as a woman.

Elizabeth was conducting a complicated and exploitative business, in which her daughter substituted for Eleanor in bed with men who believed they were sleeping with Eleanor. It is not recorded whether money was involved, but that seems likely. The court record says that Elizabeth’s daughter Alice did this ‘for lust’, but I would not be willing to take that as a given: it seems plausible to me that Eleanor and Alice worked together, willing or unwilling, in a scenario which allowed Elizabeth to maintain her daughter’s public respectability while Eleanor accrued the ill repute of a prostitute.

Somehow, from there, Eleanor met a woman named Anna, who is referred to by the court transcript as “meretrix quondam cuiusdam famuli domini Thome Blount” (the whore of a former servant of Thomas Blount). It is possible that Anna was a prostitute regularly frequented by this former servant of Thomas Blount, but the various evidence assembled by Karras, in Unmarriages, on the varied roles and statuses of unmarried couples, leads me to think Anna might just as easily have been the mistress or even domestic partner (eg, if the said servant were already married and separated) of this unnamed gentleman. For reasons not given in the record, she taught Eleanor how she might have sex with men ‘in the manner of a woman’: for which we can read, in a receptive position.

We do not know why Eleanor sought out this information, or why she acted on it. Perhaps she desired a sexual relationship with a man. Perhaps she wished to extract more substantial benefits, material or otherwise, from her work as a prostitute – since she was socially stuck as a prostitute anyway. It seems she was still living with Elizabeth Broderer, and – for one reason or another, bear in mind we do not know her motivations – an individual named Phillip, the rector of Theydon Garnon, would seem to have been her first client. (Or perhaps her non-commercial lover? Bear in mind this is entirely possible: People do sleep with trans women because they like them!) Eleanor seems to have been of limited resources at this time, because she took (was given? stole?) some garments from Phillip. When Phillip demanded their return, she convinced him to back off by asserting that she had a husband who would defend her in court.

Next, Eleanor seems to have made a break for it: she moved to Oxford, and tried – for five weeks – to establish herself as an independent women in a women’s trade, that of embroidery. She continued to sleep with men (in a marsh, the court record says). Once again, we cannot say whether she sought their company for pleasure or for money. Something may have gone wrong, though, because Eleanor next moved to Burford to work as a tapster. In Burford she continued to sleep with men, but here the court records that only four of her eight lovers paid her. Did she expect payment from the others and not receive it? Perhaps. But it’s equally plausible that she enjoyed and desired sex with men. This possibility I have seen raised in discussion of John (Eleanor) Rykener as a male homosexual.

Next, in Beaconsfield, Eleanor had sex with two men “as a woman” and one woman, Joan, “as a man”. Now, here I want to stress some things we DO know and some things we DON’T. We DO know that when the medieval record speaks of “ut vir concubuit cum” and ” concubuerunt ut cum femina” (‘[he] as a man lay with [Joan]’ and ‘[they] lay with [him] as a woman’) it does not speak of what clothes Eleanor was wearing at the time, or what name she went by. The issue at hand is who did what to whom, as is nicely demonstrated by the verb forms: he-as-a-man had sex with Joan, they (two franciscans) had sex with him-as-a-woman.

What we do not know here includes:

• Whether Joan of Beaconsfield considered herself to be having sex with Eleanor, or with John, Rykener.

• What Joan and Eleanor did together. Concubere could in fact mean lie down together, and Eleanor did not give her testimony in Latin: we don’t know what she said that she and Joan did which the court records as ‘concubuit‘. Eleanor may have spoken in compatible passive/active terms, or she may not.

• Assuming that Eleanor and Joan had penis-in-vagina intercourse, that does not tell us why they did so. Even if Joan met and bedded John Rykener, did she know about Eleanor? Was there an experiential difference, for either of them, between Eleanor(?John)’s conduct in bed and that of other men?

• Conversely, we do not know which identity Eleanor was presenting when she slept with the two Franciscans – but that possibility has already been raised by queer historians, who are generally quite keen to point out that John Rykener’s male lovers could have known exactly who and what they were doing.

Returning to London, Eleanor committed ‘the aforementioned vice’ with several more churchmen, but the record does not state if they paid her – nor, in this instance, does it specify cum femina. However, it seems her efforts to find more respectable work had not succeeded, because finally, we know that she propositioned one John Britby to commit a ‘libidinous act’ with her in a stall by Soper’s lane, for an agreed-upon-sum. John Britby swore to the court that he thought she was a woman at that time.

The court record also says that Eleanor had sex cum vir with assorted nuns and married women. This addition lacks the detail of her encounters with men and with Joan, and I would be inclined to suspect it of being an embroidery upon Eleanor’s testimony, designed to both mark out John Rykener as a particularly depraved individual and enforce public perception of him as male by ensuring that everyone knows he could and did have lots of sex cum vir. However, even allowing for the fact that this assertion has less to hold it up than the previous account, I find it curious1 that it tends to appear as a footnote only to the history of John Rykener, when the following comment about numerous priestly clients who pay better than other man gets a fair bit of circulation.

Eleanor Rykener is rarely cited, despite what her testimony can tell us about women’s lives in marginal professions in the 15th century. (I note that Kim Racon at Notches has also blogged about this lack.2) John Rykener is spoken of, and John/Eleanor, but never Eleanor or Eleanor-John. Whenever I’ve had the pleasure of teaching this topic, I’ve made a point of speaking of Eleanor Rykener and her trial, because… well, it seemed the decent thing to do.3 At the very least, Eleanor Rykener was a cultivated public persona (comparable to a drag act, perhaps?) – and given she seems to have run away and tried to take up a woman’s profession other than prostitution twice, the common summary of her story as ‘male crossdressing prostitute’ is incredibly reductive. Karras herself notes on p. 184 of Medieval Sexualities that the Rykener and a 14th century Venetian prostitute, probably a hermaphrodite, named Ronaldo/Ronaldina, are far from the standard sodomite, who did not normally wear women’s clothing. It is very unlikely that John Rykener was, in modern terms, a sad gay man who found crossdressing the only way to get laid – there’s enough other evidence to suggest that medieval blokes found ways to bang that didn’t involve ladies’ clothes!!

II: The Questioning of John Rykener 1395: Transcription

Corporation of London Records Office, Plea and Memoranda Roll A34, m.2 (1395)

Undecimo die Decembris anno regni regis Ricardi secundi decimo octavo, ducti fuerunt hic coram Johanne Fressh maiore et aldermannis civitatis Londoniensis Johannes Britby de comitate Eboracum et Johannes Rykener, se Elianoram nominans veste muliebri detectus. Qui die dominica ultimo preterita per quosdam dicte civitatis ministros noctanter inter horas octavam et nonam super quoddam stallum in venella vocata Sopereslane inventi fuerunt iacentes, illud vitium detestabile, nephandum, et ignominiosum committentes, pro seperali examinatione coram dictis maiore et aldermannis super premissa fienda et audienda etcetera. Qui quidem Johannes Britby inde allocutus fatebatur quod ipse per vicum regium de Chepe die dominica inter horas supradictas transiens, dictum Johannem Rykener vestitu muliebri ornatum, ipsumque mulierem fore suspicantem fuerat assecutus, petens ab eo, tanquam a muliere, si cum ea libidinose agere possit. Qui ab eo argentum pro labore suo petens sibi consentiebat, invicem transeuntes ad illud complendum usque stallum predictum. Ipsi tamen tunc ibidem per ministros predictos in eorum maleficiis detestabilibus capti fuerunt, carcere vero mancipati hucusque, etcetera. Et predictus Johannes Rykener in veste muliebri hic adductus de materia predicta allocutus cognovit se fecisse in omnibus prout idem Johannes Britby superius fatebatur etcetera. Quesitum fuit ulterius a prefato Johanne Rykener quis ei docuit dictum vitium exercere et quanto tempore, in quibus locis, et cum quibus personis masculis sive feminis illud actum libidinosum et nephandum commisit. Qui in animam suam sponte iuravit et cognovit quod quaedam Anna, meretrix quondam cuiusdam famuli domini Thome Blount, primo docuit ipsum vitium detestabile modo muliebri exercere. Item dixit quod quaedam Elizabeth Brouderer prius vestivit ipsum veste muliebri; quae etiam conduxit quandam Aliciam filiam suam diversis hominibus luxuriae causa, ipsam cum eisdem hominibus in lectis eorum noctanter absque lumine reponens et eandem summo mane ab eisdem recedere fecit, monstrando eis dictum Johannem Rykener veste muliebri ornatum ipsum Alianoram nominantem, asserens ipsos cum ipsa sinistre egisse. Item dixit quod quidam Philippus, Rector de Theydon Gernon, concubuit cum eodem Johanne Rykener ut cum muliere in domo cuiusdam Elizabeth Brouderer extra Bisshoppesgate, quo tempore dictus Johannes Rykener asportavit duas togas ipsius Philippi. Et quando idem Philippus illas petiit a prefato Johanne Rykener, ipse dixit quod fuit uxor cuiusdam hominis, et si ipse illas repetere vellet faceret maritum suum versus ipsum prosequi. Item dictus Johannes Rykener fatebatur quod per quinque septimanas ante festum santi Michaelis ultimo elapsum morabatur apud Oxonium et operatus est ibidem in veste muliebri in arte de brouderer nominans ipsum Alianoram. Et ibidem in marisco tres scolares ignotos, quorum unus nominatur dominus Willielmus Foxlee, alius dominus Johannes, et tertius dominus Walterus, usi fuerunt sepius cum ipso abominabile vitium supradictum. Item fatebatur prefatus Johannes Rykener quod ipse die veneris proximo ante festum sancti Michaelis supradictum venit apud Burford in comitate Oxonium. Et ibidem fuit commorans cum quodam Johanne clerc atte Swan in officio de tapster per sex septimanas proximas sequentes, infra quod tempus duo fratres minores, quorum unus nominatur frater Michael et alius frater Johannes Barry, qui sibi dedit unum anulum aureum, et unus frater carmelitus et sex diversi homines extranei commiserunt cum illo vitium antedictum. Quorum quidem fratrum et hominum supradictorum quidam dabat dicto Johanni Rykener .xii. d, quidam .xx. d, quidam .ii. s. Item fatebatur idem Johannes Rykener quod fuit apud Bekenesfeld et ibidem idem ut vir concubuit cum quadam Johanna filia Johannis Mathew, et etiam ibidem cum ipso concubuerunt ut cum femina duo fratres minores alienigenae. Item fatebatur dictus Johannes Rykener quod post eius ultimum adventum Londoniae quidam dominus Johannes quondam capellanus ecclesiae sanctae Margaretae Patyns et alii duo capellani in venellis retro ecclesiam sanctae Katerinae iuxta turrim Londoniensem commiserunt cum illo illud vitium antedictum. Item dixit dictus Johannes Rykener quod ipse sepius concubuit cum quampluribus monialibus ut vir, et etiam concubuit modo virili cum quampluribus mulieribus, tam maritatis quam aliis, quarum numerum ignorat. Item fatebatur dictus Johannes Rykener quod quamplures presbiteri fecerunt illud vitium cum illo ut cum muliere, quorum numerum ignorat, et dixit quod citius cepit presbiteros quam alios quia plus vellent sibi dare quam alii.

I: The Questioning of John Rykener 1395: Translation

On 11 December, 18 Richard 11. were brought in the presence of John Fressh, Mayor. and the Aldermen ofthe City of London John Britby of the county of York and John Rykener., calling [himself] Eleanor, having been detected in women’s clothing, who were found last Sunday night between the hours of 8 and 9 by certain officials of the, city lying by a certain stall in Soper’s Lane” committing that detestable unmentionable and ignominious vice. In a separate examination held before the Mayor and Aldermen about the occurrence, John Britby confessed that he was passing through the high road of Cheap on Sunday between the abovementioned hours and accosted John Rykener, dressed up as a woman, thinking he was a woman, asking him as he would a woman if he could commit a libidinous act with her. Requesting money for [his] labor, Rykener consented, and they went together to the aforesaid stall to complete the act, and were captured there during these detestable wrongdoings by the officials and taken to prison. And John Rykener, brought here in woman’s clothing and questioned about this matter, acknowledged [himself] to have done everything just as John Britby had confessed. Rykener was also asked who had taught him to exercise this vice, and for how long and in what places and with what persons, masculine or feminine, [he] had committed that libidinous and unspeakable act. [He] swore willingly on [his] soul that a certain Anna, the whore of a former servant of Sir Thomas Blount, first taught him to practice this detestable vice in the manner of a woman. [He] further said that a certain Elizabeth Bronderer first dressed him in women’s clothing; she also brought her daughter Alice to diverse men for the sake of lust, placing her with those men in their beds at night without light, making her leave early in the morning and showing them the said John Rykener dressed up in women’s clothing, calling him Eleanor and saying that they had misbehaved with her. [He] further said that certain Phillip, rector of Theydon Garnon, had sex with him as with a woman in Elizabeth Bronderer’s honse outside Bishopsgate, at which time Rykener took away two gowns of Phillip’, and when Phillip requested them from Rykener he said that [he] was the wife ofa certain man and that if Phillip wished to ask for them back [he] would make [his] husband bring suit against him. Rykener further confessed that for five weeks before the feast of St. Michael’s last [he] was staying at Oxford, and there, in women’s clothing and calling himself Eleanor, worked as an embroideress; and there in the marsh three unsuspecting scholars – of whom one was named Sir William Foxlee, another Sir John, and the third Sir Walter – practiced the abominable vice with him often. John Rykener further confessed that on Friday before the feast of St. Michael [he] came to Burford in Oxfordshire and there dwelt with a certain John Clerk at the Swan in the capacity of tapster for the next six weeks, during which time two Franciscans, one named Brother Michael and the other Brother John, who gave [him] a gold ring, and one Carmelite friar and six foreign men committed the above-said vice with him, of whom one gave Rykener twelve pence, one twenty pence, and one two shillings. Rykener further confessed that [he] went to Beaconsfield and there, as a man, had sex with a certain Joan, daughter of John Matthew, and also there two foreign Franciscans hall sex with him as a woman. John Rykener also confessed that after [his] last return to London a certain Sir John, once chaplain at the Church of St. Margaret Pattens, and two other chaplains committed with him the aforementioned vice in the lanes behind St. Katherine’s Church by the Tower of London. Rykener further said that he often had sex as a man with many nuns and also had sex as a iman with many women both married and otherwise, how many [he] did not know. Rykener further confessed that many priests had committed that vice with him as with a woman, how many [he] did not know, and said that [he] accommodated priests more readily than other people because they wished to give [him] more than others.”

References

Gay History: Eugenia Falleni. Transgender Murderer?

Eugenia Falleni dressed as a man in her mugshot in 1920. .

Eugenia Falleni lived for decades as Harry Crawford until arrested for murder

Caitlyn Jenner and now the Oscar-nominated film The Danish Girl have shone the light on the difficulties faced by transgender people as never before. Jenner’s transition and Eddie Redmayne’s portrayal of Lili Elbe (formerly Einar Wegener) is bringing understanding and acceptance that others could never have dreamed of.

Take the tragic story of Sydney’s Eugenia Falleni, born about 1875, who lived most of her life as Harry Crawford. From an early age Falleni felt more comfortable as a male. For many years she lived secretly as a man in Sydney, but in the 1920s her story was made public under the most tragic and humiliating circumstances.

Eugenia is believed to have been born in Italy, the eldest of 22 children. The family migrated to New Zealand in 1877 but Eugenia was punished for dressing in boys clothes and being a tomboy.

As a teenager she ran away from home several times. At 19 her father forced her into a marriage with an Italian man named Braseli. When it turned out that Braseli was already married, Eugenia ran away for good.

Signing on as a ship’s cabin boy under the name Eugene Falleni she lived as a man aboard ships for several years until a captain discovered her secret and subjected her to continued rapes. She was forced ashore in Newcastle in 1898 and made her way to Sydney where she gave birth to a daughter she named Josephine.

She left her baby in the care of an Italian woman in Double Bay and took on the identity of Harry Leo Crawford, dressing as a man and working as a manual labourer.

Eugenia Fellini as Harry Crawford. Picture: Sydney Living Museums

Although some thought him strange and somewhat reserved, none of Crawford’s co-workers suspected his secret. They knew him to be a good worker who, despite his small frame, was not afraid of hard work.

Crawford always spurned the interest of young ladies until in 1912, when he was working as a general hand and cart driver at a company in Wahroonga, he fell for his boss’s housekeeper Annie Birkett, a widowed mother of a teenager son.

Crawford finally allowed himself to get close to a woman, even devising a method of making love that would convince her he was a man. They were married in 1913 and set up a sweets shop in Balmain together.

Crawford maintained the deception until 1917 when Annie discovered his secret from a neighbour. Determined to save the marriage Harry took Annie on a picnic on the banks of the Lane Cove River to convince her to stay

Annie Birkett was told Harry’s secret by a neighbour.

Something terrible happened on that picnic. According to later statements by Crawford Annie slipped and fell, fatally hitting her head on a rock. In a panic he tried to burn her body and obliterate the evidence. Her body was discovered but it would be years before the police were able to identify her remains.

Telling Annie’s son, Harry Birkett, that she had run off with another man Crawford moved house and in 1919 married Elizabeth Allison.

In 1920 the police finally identified Annie’s body with the help of Harry Birkett who recognised her jewellery and Crawford was later arrested.

The first mugshots were taken of Crawford in men’s clothes before he was forced to change into women’s clothes for more humiliating photographs.

Eugenia Falleni was forced to wear women’s clothing in her second series of mug shots. Picture: Leichhardt Library

There was more humiliation in store. Newspapers reported the Falleni case as the “man-woman” and there was intense interest from a less than understanding public.

Society was outraged by this woman “masquerading as a man” and supposedly defrauding innocent women into marriage.

At the trial Falleni’s defence centred on challenging the identification of the body as that of Annie, but the jury was not convinced. Falleni was convicted of murder and sentenced to death. The sentence was later commuted to life in prison.

Execution may have been a kinder sentence, because of the agony of being forced to live as a woman in prison. Falleni was released from Long Bay in 1931 because of her failing health, but was dogged by her tragic past.

She died in 1938 from injuries sustained after being hit by a car on Oxford St near her home at Paddington.

Was ‘transgender warrior’ a victim of an Australian miscarriage of justice?

Mark Tedeschi QC’s biography of Eugenia Falleni exposes a potential unjust murder conviction from 1920

f you go into the lord chief justice’s court at the Royal Courts of Justice in London, you may notice a pair of rather shabby red velvet curtains, to the left and right of the presiding judge’s chair. Each curtain is suspended from a horizontal brass rod, which is hinged so that it can sit flat against the panelled wall when not required.

Although court 4 is regularly used for ceremonial occasions, such as the swearing-in of senior legal figures and the extraordinary 800-year-old quit rents ceremony, I have never seen the curtains swung out for use. I had always assumed they were Victorian draught excluders, made redundant by improvements to the central heating system since the courts were opened in 1882.

That was until this week, when I read a chilling account of a woman being sentenced to death. This was not an Indonesian court sentencing someone for drug trafficking but an Australian court sentencing a defendant for murder.

The year was 1920. After hearing the jury’s verdict and inviting the defendant to address the court, the chief justice of New South Wales “gave an almost imperceptible nod to the sheriff’s officer who was waiting in the body of the court”. The official knew exactly what the gesture meant.

He walked to the front of the court, mounted the stairs to the bench, walked around the back of the judge to the two, large, hinged curtain rods that were normally flush on the wall behind the bench, each rod carrying a black velvet curtain, and swung them forward to a position on either side of the judge. By ancient tradition, this signalled that a death sentence was about to be handed down. This quaint practice symbolically isolated the judge from all side distractions and influences and focussed his attention on the prisoner directly in front of him, so as to assist him in discharging the distasteful task at hand.

Before I explain the remarkable background to this case, I should say that — as far as I know — nobody has ever been sentenced to death in court 4 of the Royal Courts of Justice, although the court of criminal appeal certainly used to hear appeals in capital cases there. Perhaps there is a legal historian who can tell me whether the courtroom curtains in London were ever deployed in the way they were in Sydney.

The woman sentenced to death in New South Wales had been convicted of murdering Annie Birkett, a woman who had believed she was the defendant’s wife. Eugenia Falleni had lived as a man for 22 years and, during that time, had taken part in two ceremonies of marriage with women who each believed that they were marrying a man. The second woman even persuaded herself she had become pregnant by Falleni.

Eugenia, the new biography of Falleni from which I have taken the passage above is, written by Mark Tedeschi QC, senior crown prosecutor for New South Wales. He believes that Falleni was wrongly convicted on the basis of “fallacious scientific evidence, unreliable sighting witnesses, dubious police practice and an avalanche of prejudicial publicity”.

Tedeschi demonstrates all too clearly how a more experienced defence counsel could have secured an acquittal or, at worst, a manslaughter verdict. It is a message that the justice secretary, Chris Grayling, should take to heart. And the authorities in Indonesia might care to note that, as long ago as 1920, Australian politicians were not prepared to see someone they regarded as a woman going to the gallows. No women had been executed in New South Wales for more than 30 years. The sentence was commuted to life imprisonment and Falleni was released on licence in 1931, only to die in a road accident in 1938.

Born in Italy in 1875 and brought up in New Zealand, Falleni went to sea at the age of 21. The following year, Falleni was raped by a sea captain who discovered that he and his crew had been deceived by the young sailor. Falleni became pregnant and gave birth to a daughter, who went on to have a family of her own.

It was in 1913 that Falleni, then known as Harry Crawford, went through a ceremony of marriage with Birkett. What strikes the modern reader as extraordinary was that Birkett, who had been widowed some seven years earlier and left with a young son, took more than four years to realise how she was being deceived by Falleni, despite several tell-tale signs.

Tedeschi explains how Falleni used a dildo and always wore a loose-fitting undershirt during lovemaking. Eventually, Birkett confronted Falleni, but Tedeschi’s account of their falling out makes it clear that Birkett’s death could have been an accident.

In his highly readable biography, Tedeschi concludes that Falleni was a “transgender warrior at a time when there was no understanding of her condition and no support for her cause”. He says “the most acceptable term today for Eugenia Falleni’s condition is ‘gender identity disorder’, which is synonymous with transsexualism”.

But Tedeschi writes as a lawyer, not as a psychologist. His main concern is to expose a miscarriage of justice for which one of his predecessors was largely responsible. An honest prosecutor never regards an unjust conviction as a successful outcome.

References

Gay History: Albert Cashier

Albert D. J. Cashier (December 25, 1843 – October 10, 1915), born Jennie Irene Hodgers, was an Irish-born immigrant who served in the Union Army during the American Civil War. Cashier adopted the identity of a man before enlisting, and maintained it until death. Cashier became famous as one of a number of women soldiers who served as men during the Civil War, although the consistent and long-term (at least 53 years) commitment to a male identity has prompted some contemporary scholars to suggest that Cashier was a trans man.[3][4][5][6]

(November, 1864)

Cashier was very elderly and disoriented when interviewed about immigrating to the United States and enlisting in the army, and had always been evasive about early life; therefore, the available narratives are often contradictory. According to later investigation by the administrator of Cashier’s estate, Albert Cashier was born Jennie Hodgers in Clogherhead, County Louth, Ireland on December 25, 1843,[7]:52[2] to Sallie and Patrick Hodgers.[2] Typically, the youth’s uncle or stepfather was said to have dressed his charge in male clothing in order to find work in an all-male shoe factory in Illinois. Even before the advent of the war, Jenny adopted the identity of Albert Cashier in order to live independently.[7]:52 Sallie Hodgers, Cashier’s mother, was known to have died prior to 1862, by which time her child had traveled as a stowaway to Belvidere, Illinois, and was working as a farmhand to a man named Avery.[8][9][10]

Cashier first enlisted in July 1862 after President Lincoln’s call for soldiers.[7]:52 As time passed, the need for soldiers only increased. On August 6, 1862, the eighteen-year-old enlisted in the 95th Illinois Infantry for a three-year term using the name “Albert D.J. Cashier” and was assigned to Company G.[11][12][7]:52 Cashier was listed in the company catalog as nineteen years old upon enlistment, and small in stature.[note 1]

Many Belvidere boys had been at the Battle of Shiloh as members of the Fifteenth Illinois Volunteers, where the Union had suffered heavy losses. Cashier took the train along with other boys from Belvidere to Rockford in order to enlist, in answer to the call for more soldiers.[13]:380 Along with others from Boone and McHenry counties, Cashier learned how to be a volunteer infantryman of the 95th Regiment at Camp Fuller. After being shipped out by steamer and rail to Confederate strongholds in Columbus, Kentucky and Jackson, Tennessee, the 95th was ordered to Grand Junction where it became part of the Army of the Tennessee under General Ulysses S. Grant.[13]:380–381

The regiment was part of the Army of the Tennessee under Ulysses S. Grant and fought in approximately forty battles,[12] including the siege at Vicksburg. [13]:381 During this campaign, Cashier was captured while performing reconnaissance,[7]:55 but managed to escape and return to the regiment. After the Battle of Vicksburg, in June 1863, Cashier contracted chronic diarrhea and entered a military hospital, somehow managing to evade detection.[7]:55–56 In the spring of 1864, the regiment was also present at the Red River Campaign under General Nathaniel Banks, and in June 1864 at the Battle of Brice’s Crossroads in Guntown, Mississippi, where they suffered heavy casualties.[7]:56–57[13]:382–383

Following a period to recuperate and regroup following the debacle at Brice, the 95th, now a seasoned and battle-hardened regiment, saw additional action in the Winter of 1864 in the Franklin-Nashville Campaign, at the battles of Spring Hill and Franklin, the defense of Nashville, and the pursuit of General Hood.[13]:383

During the war, the regiment traveled a total of about 9,000 miles.[7]:52[note 2] Other soldiers thought that Cashier was small and preferred to be alone, which were not uncommon characteristics for soldiers. Cashier fought with the regiment through the war until honorably discharged on August 17, 1865, when all the soldiers were mustered out.[7]:57

Cashier was only one of at least 250 soldiers who were assigned female at birth and enlisted as men to fight in the Civil War.[14][15]

Cashier’s postwar residence, since moved to Saunemin, Illinois

After the war, Cashier returned to Belvidere, Illinois for a time, working for Samuel Pepper and continuing to live as a man.[7]:57[16] Settling in Saunemin, Illinois in 1869, Cashier worked as a farmhand as well as performing odd jobs around the town.[7]:57 and can be found in the town payroll records.[7]:57 Cashier lived with employer Joshua Chesbro and his family in exchange for work, and had also slept for a time in the Cording Hardware store in exchange for labor. In 1885, the Chesbro family had a small house built for Cashier.[17] For over forty years, Cashier lived in Saunemin and was a church janitor, cemetery worker, and street lamplighter. Living as a man allowed Cashier to vote in elections and to later claim a veteran’s pension under the same name.[7]:58 Pension payments started in 1907.[18]

In later years, Cashier ate with the neighboring Lannon family. The Lannons discovered their friend’s sex when Cashier fell ill, but decided not make their discovery public.[7]:59

In 1911, Cashier, who was working for State Senator Ira Lish, was hit by the Senator’s car, resulting in a broken leg.[7]:59 A physician found out the patient’s secret in the hospital, but did not disclose the information. No longer able to work, Cashier was moved to the Soldiers and Sailors home in Quincy, Illinois on May 5, 1911. Many friends and fellow soldiers from the Ninety-fifth Regiment visited.[7]:59 Cashier lived there until an obvious deterioration of mind began to take place and was moved to the Watertown State Hospital for the Insane in March 1914.[7]:60 Attendants at the Watertown State Hospital discovered Cashier’s sex, at which point, the patient was made to wear women’s clothes again after what we can assume would be more than fifty years.[7]:60 In 1914, Cashier was investigated for fraud by the veterans’ pension board; former comrades confirmed that Cashier was in fact the person who had fought in the Civil War and the board decided in February 1915 that payments should continue for life.[19][20][21]

Albert Cashier died on October 10, 1915 and was buried in uniform. The tombstone was inscribed “Albert D. J. Cashier, Co. G, 95 Ill. Inf.”[11] Cashier was given an official Grand Army of the Republic funerary service, and was buried with full military honors.[7]:60 It took W.J. Singleton (executor of Cashier’s estate) nine years to track Cashier’s identity back to the birth name of Jennie Hodgers. None of the would-be heirs proved convincing, and the estate of about $282 (after payment of funeral expenses)[20][21][22] was deposited in the Adams County, Illinois, treasury. The name on the original tombstone is Albert D. J. Cashier. In the 1970s, a second tombstone, inscribed with both names, was placed near the first one at Sunny Slope cemetery in Saunemin, Illinois.[11][23]

Cashier is listed on the internal wall of the Illinois memorial at Vicksburg National Military Park.[24]

A musical entitled The Civility of Albert Cashier has been produced based on Cashier’s life; the work was described by the Chicago Tribune as “A timely musical about a trans soldier”.[25]

Also Known As Albert D. J. Cashier: The Jennie Hodgers Story is a biography written by veteran Lon P. Dawson, who lived at the Illinois Veterans Home where Cashier once lived. The novel My Last Skirt, by Lynda Durrant, is based on Cashier’s life. Cashier was mentioned in a collection of essays called Nine Irish Lives, in which Cashier’s biography was written by Jill McDonough.[26] Cashier’s house has been restored in Saunemin.[27]

Authors including Michael Bronski, James Cromwell, Kirstin Cronn-Mills, and Nicholas Teich have suggested or argued that Cashier was a trans man due to living as a man for at least 53 years.[3][4][5][6]

References

1 Salt. Archived from the original (PDF) on 2007-10-08. Retrieved 2007-12-14.

2 ^ a b c Blanton, DeAnne & Cook, Lauren M. (2002). They Fought Like Demons: Women Soldiers in the American Civil War. Louisiana State University Press. ISBN 9780807128060.

3 ^ a b Cromwell, Jason (1999). “Transvestite Opportunists, Passing Women, and Female-Bodied Men”. Transmen and FTMs: Identities, Bodies, Genders, and Sexualities. University of Illinois Press. pp. 77–78. ISBN 9780252068256.

4 ^ a b Bronski, Michael (2011). “A Democracy of Death and Art”. A Queer History of the United States. Beacon Press. pp. 69–70. ISBN 9780807044391.

5 ^ a b Teich, Nicholas (2012). “The History of Transgenderism and its Evolution Over Time”. Transgender 101: A Simple Guide to a Complex Issue. Columbia University Press. pp. 76–77. ISBN 9780231157124.

6 ^ a b Cronn-Mills, Kirstin (2014). Transgender Lives: Complex Stories, Complex Voices. Minneapolis: Lerner Publishing Group. p. 41. ISBN 9780761390220.

7 ^ a b c d e f g h i j k l m n o p q r s t Tsui, Bonnie (2006). She Went to the Field: Women Soldiers of the Civil War. Globe Pequot. Guilford, Connecticut: TwoDot. ISBN 978-0-7627-4384-1. OCLC 868531116.

8 ^ Benck, Amy. “Albert D. J. Cashier: Woman Warrior, Insane Civil War Veteran, or Transman?”. OutHistory. Retrieved 6 May 2015.

9 ^ Illinois Issues: Little Soldier, Big Mystery, Illinois Public Radio, July 10, 2018

10 ^ McAuliffe, Nora-Ide. “When Jennie Came Marching Home – An Irishwoman’s Diary on Albert Cashier and the US Civil War.” The Irish Times, The Irish Times, 10 Apr. 2018, http://www.irishtimes.com/opinion/when-jennie-came-marching-home-an-irishwoman-s-diary-on-albert-cashier-and-the-us-civil-war-1.3456012.

11 ^ a b c Hicks-Bartlett, Alani (February 1994). “When Jennie Comes Marchin’ Home”. Illinois History. Archived from the original on 2006-09-05. Retrieved 2007-12-13.

12 ^ a b 1 Blanton, DeAnne (Spring 1993). “Women Soldiers of the Civil War”. Prologue. College Park, MD: National Archives. 25 (1). Archived from the original on 5 December 2007. Retrieved 2007-12-14.

2 ^ a b c d e f g Clausius, Gerhard P. (Winter 1958). “The Little Soldier of the 95th: Albert D. J. Cashier”. Journal of the Illinois State Historical Society. 51 (4): 380–387. ISSN 2328-3246. JSTOR 40189639.

3 ^ “The Women Who Fought in the Civil War”. Off the Beaten Path. Retrieved August 5, 2018.

4 ^ Steve Hendrix (August 25, 2017). “A history lesson for Trump: Transgender soldiers served in the Civil War”. Washington Post. Retrieved 10 August 2018.

5 ^ “Deposition of J. H. Himes” (January 24, 1915) from Blanton (Spring 1993)

6 ^ “Recollections – Albert D. J. Cashier”. Saunemin, Illinois. Google Sites. Retrieved 10 August 2018.

7 ^ “The Handsome Young Irishman of the 95th IL Infantry”. eHistory, Ohio State University. Retrieved August 3, 2018.

8 ^ McAuliffe, Nora-Ide. “When Jennie Came Marching Home – An Irishwoman’s Diary on Albert Cashier and the US Civil War”. http://www.irishtimes.com. The Irish Times. Retrieved 8 August 2018.

9 ^ a b “Women in the Civil War”. Warfare History. Retrieved August 3, 2018.

10 ^ a b DeAnne Blanton, Lauren Cook Wike (2002-09-01). They Fought Like Demons. LSU Press. p. 174. ISBN 9780807128060. Retrieved 2018-08-03.

11 ^ “The Handsome Young Irishman of the 95th IL Infantry”. eHistory, Ohio State University. Retrieved August 3, 2018.

12 ^ “Albert D. J. Cashier”. Find a Grave.

13 ^ Bonnie Tsui (2006-07-01). She Went to the Field: Women Soldiers of the Civil War. Rowman & Littlefield. ISBN 9781461748496. Retrieved 2018-08-03.

14 ^ Jones, Chris (7 September 2017). “‘Civility of Albert Cashier’: A timely musical about a trans soldier”. Chicago Tribune. Retrieved 8 August 2018.

15 ^ McDonough, Jill (2018). “The Soldier”. Nine Irish Lives. Algonquin Books. pp. 68–99.

16 ^ “For Love Of Freedom”. Saunemin Historical Society. July 2012. Retrieved 2012-07-14.

Gay History: I Saw The Sign: LGBT Symbols Then And Now: From A Lesbian Perspective.

You’re sitting in your day parlor, sipping a cup of tea and needlepointing a screen with your female relatives. Then, a maid enters the parlor and informs you that you have a visitor waiting for you in the drawing room. You excuse yourself and enter the drawing room where you find Elizabeth Bennett, holding a bouquet of violets that she picked just for you.

BY KEENA

JUNE 21, 2012

Welcome to my fantasy. For years I’ve daydreamed about what gift Elizabeth Bennett might bring me to express her true intentions (which ranged from a beautifully-written letter sealed in wax to a corgi puppy in basket), but now I know she would bring me violets. Violets are beautiful and adorable flowers in general, but they’re also one of the more famous symbols of female homosexuality, possibly dating back to a poem in which Sappho describes herself and her lover wearing garlands of violets:

If you forget me, think

of our gifts to Aphrodite

and all the loveliness that we shared

all the violet tiaras

braided rosebuds, dill and

crocus twined around your young neck

Sappho

In the early 20th century, women used to give each other violets as a way of telling each other, “Hey, I LIKE like you,” in times when it wasn’t easy or accepted to say so in a more overt manner. And, though the historic origins of the violet as a symbol of women liking women may have faded, the color purple is still often associated with homosexuality, particularly in the naming of the Lavender Menace and in the use of the term “lavender lads” to describe gay men during the “Lavender Scare” in the 1950s in the U.S.

Sadly, as we all know, it’s only recently that open displays of homosexuality have begun to be accepted by society, and obviously there are still many places in the world where they are still met with disapproval, violence, and/or legal and social persecution. But! The good thing is that even in unfriendly societies, us homos have always managed to find our way to each other (call it the silver lining in the lavender cloud, if you will). We’ve done so in a variety of ways, though visual symbols are often among the most recognizable. Some of these symbols may be familiar to you, but even if they aren’t, perhaps they’ll give you an idea of how to decorate your messenger bag or expand your tattoo sleeve.

The Greek Symbol “Lambda”

Lambda was selected as a symbol by the Gay Activists Alliance of New York in the 1950s and was declared the international symbol for gay and lesbian rights by the International Gay Rights Congress in 1974. It’s unclear how exactly lambda was adopted by the LGBT community or what it actually means but some popular theories include: the charged energy of the gay and lesbian rights movement (since lambda symbolizes “energy” in chemistry and physics), the Roman interpretation meaning “the light of knowledge shining into the darkness of ignorance,” or “the notion of being on different wavelengths when it comes to sex and sexuality.” There’s also this idea kicking around that lambda appeared on the shields of Spartan and/or Theban warriors in ancient Greece. The Thebes version is more popular because, as legend has it, the city-state organized the Theban Army from groups of idealized lovers, which made them exceptionally fierce and dedicated soldiers–though eventually the army was completely decimated by King Philip II, the father of Alexander the Great. Lending credence to this theory is the fact that the 1962 version of “300” depicted soldiers with lambdas on their shields. I never saw the 2006 version so someone else will have to confirm or deny the perpetuity of lambda in that whole situation.

The Rainbow Flag(s)

Gilbert Baker

In the 1970s, San Francisco artist Gilbert Baker recognized the need for a gay symbol that could be used during the Pride Parade each year. Baker drew inspiration for the first version of the iconic rainbow flag from a variety of sources and came up with a flag with eight color stripes, each representing a different aspect of gay and lesbian life: hot pink for sexuality, red for life, orange for healing, yellow for the sun, green for nature, blue for art, indigo for harmony, and violet for spirit. Baker and 30 volunteers hand-dyed and stitched the original flag, but had to remove the pink stripe for mass production due to a lack of commercially-available pink dye. When Harvey Milk was assassinated later that year, the 1979 Pride Parade Committee selected Baker’s flag as the symbol for the gay community to unite in honor of Milk’s memory.

The Original Rainbow Flag

In the 1979 San Francisco Pride Parade, the color indigo was also removed so the colors could be evenly-distributed along the parade route, leaving us with the flag we know today, with stripes of red, orange, yellow, green, blue and purple. Today, there are many, many varieties of the rainbow flag–you can stick a lambda on it, a colored triangle, a star of David, whatever you want! People seem particularly fond of the rainbow flag/rainbows in general because they are all-encompassing: a rainbow flag endorses gay rights without making a statement about the person displaying it. And this, to me, is the most rockin’ thing about rainbow flags. If you chose not to, you don’t have to say anything about yourself, your sexytime partners, your experiences, thoughts or feelings–you’re just rocking a rainbow, and under the rainbow we’re all family. Rainbow flags and stickers are often used to denote gay-friendly businesses, gay-friendly health facilities and really, who doesn’t want to paint their face in rainbow colors and go to a parade filled with like-minded rainbow-philes? No one, that’s who. It doesn’t matter whether you’re a member of the LGBT community or simply a supporter of gay rights, rainbows mean love for everyone and are therefore wonderful.

Black Triangles

One of the oldest symbols associated with the LGBT community is the triangle, which originated as one of the symbols used in Hitler’s Nazi concentration camps as a way to label prisoners: male homosexual prisoners were made to wear a pink triangle, while women imprisoned for “arbeitsscheu” (“antisocial behavior”, including feminism, lesbianism and prostitution) were made to wear black triangles. Though there isn’t definitive evidence to prove that the black triangles were worn by lesbians in the same way that pink triangles were worn by gay male prisoners, over time the black triangle has evolved into one of the more prominent symbols of lesbianism, contemporaneously symbolizing defiance against repression and discrimination.

Labrys

I know you all totally know what a labrys is already, but juuuust in case you don’t: a labrys is a double-headed axe. The labrys was first associated with the Greek goddesses Artemis (goddess of the hunt) and Demeter (goddess of the harvest) and used in battle by Scythian Amazon warriors. The Amazons ruled with a dual-queen system and were known for being ferocious in battle. Though the labrys originally stood for independence/strength/chopping prowess, it has also been appropriated as a symbol of lesbianism.

Note from commenter Nancy: The labrys is actually even older than Artemis as goddess of the hunt, it goes all the way back to the Minoan civilization on crete around the 15th century BCE, although we are not really sure what it meant then because it is sooo long ago! And while there were definitely women warriors in Scythia and nearby regions, it’s super speculative that they had the whole two-queen system and everything…that comes out of some quasi-history written by guys like Herodotus.

Double Venus

The double Venus symbol takes the scientific symbol for “female” (or “Venus”) and doubles it–two females = girl and girl; Bette and Tina; Ellen and Portia, etc.

Bisexuality Symbols

In 1998, the official Bisexuality Flag was designed by Michael Page to represent the bisexual community. The magenta stripe represents same-sex attraction and the blue stripe at the bottom represents opposite-sex attraction, while the smaller deep lavender (lavender!) stripe in the middle represents attraction to both genders. Overlapping pink and blue triangle are also used to symbolize bisexuality.

Transgender Symbols

In 2000, Monica Helms designed the first Transgender Pride flag, which debuted at the Phoenix Pride Parade in Arizona. Helms planned the flag to represent the spectrum of trans* experience. “The light blue is the traditional color for baby boys, pink is for girls, and the white in the middle is for those who are transitioning, those who feel they have a neutral gender or no gender, and those who are intersex. The pattern is such that no matter which way you fly it, it will always be correct. This symbolizes us trying to find correctness in our own lives.” Another popular symbol used to identify members of the the transgender community comes from the same roots as the double Venus: a circle with an arrow projecting from the top-right, as per the male symbol, and a cross projecting from the bottom, as per the female symbol, with an additional striked arrow (combining the female cross and male arrow) projecting from the top-left.

The Other Stuff

Purple Rhinoceros: In the 1970s gay activists in Boston chose the rhinoceros as their symbol because, like the gay rights movement, while the rhino is often misunderstood it is actually a docile and intelligent animal until it is attacked–at which point it’s probably going to steamroll your car. And guess what? It’s purple. Bam. Purple rhino.

Hare, Hyena and Weasel: These three animals were mentioned in an apocryphal text of the Bible, Barnabus, in which God warns against eating the flesh of the hare (associating it with anal sex), the hyena, which was at the time was believed to change gender once a year, and the weasel, which was associated with lesbian sex. Why? Who knows. Look how cute, though!

Thumb Rings: Popular culture seems to believe that if a woman wears a silver thumb ring, she’s telling the world she’s a big ole lesbian–though there seems to be some confusion over whether to wear it on the left or right thumb and what that signifies.

Purple String: In some places, wearing a piece of purple string or hemp around your wrist is a sign of liking other girls: wear it on your left wrist if you are single, right if you are in a relationship. But then sometimes girls from the UK say that this is reversed in Europe, adding to the dilemma of what to do when you go to London on vacay.

Sign Language for “Lesbian”: On one forum I read, a girl said that she and her friends signal “lesbian” by the American Sign Language sign,” which involves making your thumb and forefinger into an ‘L’ and sticking your chin between the two. I find this amusing and wonderful and will use it all the time.

Nautical Star Tattoo: In the 1940s, many lesbians got a nautical star tattooed on their inner wrist to advertise their sexuality. But then so did sailors and punk rockers. Not that the groups are mutually exclusive by any means (if you are lesbian sailor punk rocker, I want to meet you). What does seem to be a defining feature of tattoos indicating lesbianism is that they were often on the inner wrist, so ladies could cover them up with a watch during the day and expose them at night when they were out.

Also, dolphins: In almost every online discussion I read, some sad-sounding girl would chime in to ask, “I thought dolphins were symbols of lesbianism. What about dolphins?” Um, PREACH. Lack of historic precedent be damned, I say if we want dolphins, we can have dolphins. DOLPHINS!

LGBT symbols are ever-evolving as time, culture and civil rights allow. While it’s crucial to give a nod to the historic significance of using LGBT symbols during times and in places where one had to be covert, the use of symbols, raised some interesting questions that maybe you have thoughts about. How effective is an LGBT symbol if members of the community may not recognize what it means? At what point do “symbols” merge into the larger topic of gaydar?

It really depends on what you want, whether it be acknowledging the struggle of the past, your personal feelings about your own present, or pride in and of itself. In the end symbolism and the use of symbols is just that–it’s the user of the symbol who gives it meaning and significance. Ultimately it’s a pretty wonderful thing that in many places, we don’t have to use symbols to say what we mean and feel. But I’m just sayin’–if I see a girl with an Autostraddle ‘A’ sticker on her laptop, I’m going over to say hi.

Reference

Gay History: Here are 51 more weird and cool facts from LGBTI history.

Did you know the pope in the 1400s legalized gay sex during the summer months? Discover more here

1 Some of the world’s oldest rock paintings which were discovered in Sicily, made about 10,000 years ago, showed two male phallic figures having sex.

2 Ancient Roman historian Plutarch wrote about The Great Mother, an intersex deity depicted with both sets of genitals. Her sacred priestesses, as found in the earliest civilizations in Babylonia and Akkad, were eunuchs and trans women.

3 In ancient Assyrian society, if a man were to have sex with another man of equal status, it was thought that trouble would leave him and he would have good fortune.

4 A Hindu medical text dating back to at least 600 BC made several explicit references to gay people; kumbhika – men who bottom during anal sex; asekya – men who swallow semen; and sandha – men who speak and act like women. The text also claimed it was possible for two women to create a child together but said it would end up being ‘boneless’.

The Hindu god Shiva is often represented as Ardhanarisvara, a unified entity of him with his consort Parvati. This sculpture is from the Elephanta Caves near Mumbai.

5 In Egypt 1503 BC, Hatshepsut became the second woman to rule and chose to take the title of king. She donned male clothing and wore a false beard.

Statue of Hatshepsut on display at the Metropolitan Museum of Art

6 Julius Caesar and Claudius were considered ‘abnormal’ for refusing to take male lovers. Julius had, at least, an affair with Nicomedes, the king of Bithymia, as a youth.

7 Ancient Celtic men openly preferred male lovers. According to Diodorus in the 1st century BC, he wrote ‘young men will offer themselves to strangers and are insulted if the offer is refused’. Sex between men was very likely an important ‘bonding ritual’.

8 One of the first Roman emperors, Elagabalus, could have been transgender. Before dying at the age of 18, it was reported the emperor had married a male athlete and would go out disguised as a prostitute.

9 Wales had a gay king. King Maelgwn of Gwynedd of the sixth century was described as ‘addicted very much to the detestable vice of sodomy’.

10 St Thomas Aquinas, a priest from the 1200s, is considered the father of homophobia. At a time when homosexuality was often treated as an ‘open secret’, he preached widely that it was ‘unnatural’, similar to bestiality, and argued sodomy is second only to murder in the ranking of sins.

11 Pope Sixtus IV, of the 1400s, was reported to have legalized sodomy during the summer months.

Posthumous portrait of Pope Sixtus IV by Titian

12 In the Klementi tribe of Albania, first observed in the 1400s, if a virgin swore before 12 witnesses that she would not marry, she was then recognized as male, carried weapons and herded flocks.

13 The French called homosexuality the ‘Italian vice’ in the 16th and 17th centuries, the ‘English vice’ in the 18th century, the ‘Oriental vice’ in the 19th century, and the ‘German vice’ starting from 1870 and into the 20th century.

14 Most people know the origins of the word ‘gay’, but the word ‘lesbian’ was first used from around 1590 to mean a tool – a stick made of lead (from the isle of Lesbos) used by stonemasons. It was flexible so it could be used to measure or mold objects to irregular shapes. A ‘lesbian rule’ was also used to mean being flexible with the law.

15 Julie D’Aubigny was a 17th century bisexual French opera singer and fencing master who fought and won at least 10 life-or-death duels, performed nightly shows on the biggest opera stage in the world and once took the Holy Orders just so she could sneak into a convent and have sex with a nun.

16 An 18th century English term for sex between women was the ‘Game of Flats’.

17 A molly house was an 18th century English term for a room or bar where gay men would meet. Patrons of the molly house would enact mock weddings and children being born.

Molly-houses were often considered as brothels in legal proceedings.[1] A male brothel, illustration by Léon Choubrac (known also as Hope), included in Léo Taxil’s book La prostitution contemporaine, 1884, pg. 384, Plate VII

18 Trans man Albert Cashier fought for the Union in the American Civil War. At one point, he was captured by the Confederates but managed to escape by overpowering a prison guard.

(November, 1864)[1]

19 A Boston marriage, in the 19th century, referred to two women living together financially independent of a man.

Sarah Ponsoby and Lady Eleanor Butler, also known as the Ladies of Llangollen, lived together in a Boston marriage.

20 The word ‘homosexual’ (coined in 1869) is older than the word ‘heterosexual’ (1892).

21 Edward White Benson, the Archbishop of Canterbury from 1883 to 1896, was thought to have been repressing his homosexuality. His wife, brother-in-law and five of his six children were also gay.

22 Dude used to be a homophobic slur.

23 UK Prime Minister Winston Churchill, when he was 21, was accused of ‘gross immorality of the Oscar Wilde type’.

24 Doctors in the early 1900s thought bicycles would turn women gay.

25 Wings, the first Oscar-winning film in 1920, featured a man-on-man kiss.

Richard Arlen in Wings

26 In the 1930s, a Disney comic strip showed Mickey Mouse as a violent homophobic thug. In the strip, he beats up an effeminate cat and called him a ‘cream puff inhaler’.

27 The British secret intelligence service tried to spike Hitler’s carrots with female hormones to ‘turn’ him into a woman.

28 Sister Rosetta Thorpe, a bisexual black woman, is credited with inventing rock n roll.

29 World War 2 genius and cryptographer Alan Turing said he had lost a mystery box of treasure in Bletchley Park but could no longer find it as he couldn’t crack his own code.

30 The 1948-53 Kinsey study found a third of men had a homosexual experience.

31 A drag queen was the first openly gay candidate to run for US public office. José Sarria won 6,000 votes in his 1961 campaign for the San Francisco Board of Supervisors.

Jose Sarria dines in Kenmore Square during 2010 visit to Boston

32 The death and funeral of Judy Garland is credited with inspiring the Stonewall Riots.

33 Pride in New York City was never really ‘Gay Pride’. The first was mainly organized by bisexual woman Brenda Howard.

34 The original name for Pride was ‘Gay Power’. Other suggested names included ‘Gay Freedom’, ‘Gay Liberation’ and ‘Christopher Street Liberation Day’.

The Stonewall Inn located in Greenwich Village was the site of the June 1969 Stonewall riots. That event in New York City’s queer history has served as a touchstone for various social movements, as well as the catalyst for Pride parades around the world.

35 Dracula author Bram Stoker married Oscar Wilde’s first girlfriend.

36 One of the first openly gay athletes was Dodgers outfielder Glenn Burke in the late 1970s. He told his teammates, who apparently didn’t care, and was officially outed in 1982. He is also credited with creating the high-five.

37 A man who saved President Ford from assassination had his life ruined when the media outed him as gay.

38 L Ron Hubbard, the founder of Scientology, had a son Quintin who was tasked to take over from the Church of Scientology. When Quintin came out as gay, he died of an ‘apparent suicide’ in 1976.

Geoffrey Quentin McCaully Hubbard

39 Mel Boozer, the African American human rights activist, became the first openly gay person ever nominated for the office of Vice President of the United States in 1980.

Melvin “Mel” Boozer

40 Sally Ride was the first American woman to go into space. She was also the first LGBTI astronaut and remains the youngest American to have traveled to space at the age of 32.

41 In the 1980s, religious groups tried to ban Dungeons and Dragons for being satanic as it ‘promoted homosexuality’.

42 In 1987, Delta Airlines apologized for arguing in plane crash litigation that it should pay less in compensation for the life of a gay passenger than for a heterosexual one because he may have had AIDS.

43 Princess Diana went to a London gay bar, accompanied by Freddie Mercury, disguised as a man.

44 The Etoro tribe in Papua New Guinea is where homosexuality is the norm and heterosexuals are excluded. They believe young men only become adults if they have a daily intake of semen to ‘properly mature’.

45 Queen’s The Show Must Go On was recorded as Freddie Mercury was dying due to complications from AIDS. According to Brian May, Mercury said: ‘I’ll fucking do it, darling’ – vodka down – and went in and delivered the incredible vocal.

46 When Ellen DeGeneres came out on her sitcom, Birmingham in Alabama refused to show it. A local LGBTI group sold out a 5,000-seat theatre so people could watch it via satellite.

Ellen DeGeneres, an Emmy winner, came out, as well as her fictional counterpart.

47 Stephen Hillenburg, one of the creators of Spongebob Squarepants, revealed in 2002 that Spongebob is asexual.

48 The couple in Lawrence vs Texas, the case that stopped sodomy being punishable in the US in 2003, didn’t actually have sex. They weren’t even a couple.

49 The country that watches the most gay porn is Kenya, a 2013 study found. In a recent poll, 92% of Kenyans claimed they thought homosexuality should be illegal.

50 Fun Home, the award-winning, lesbian musical, is the first in the history of the Tonys to be written entirely by women.

51 In 2015, it was announced a crater on Pluto’s moon will be named after George Takei’s Star Trek character, Sulu.

An area of Charon will named Sulu

Reference

Australian Gay Icons: Edward de Lacy Evans – Our First Transgender Female?

Edward De Lacy Evans (born Ellen Tremayne or Tremaye, 1830? – 25 August 1901) was a servant, blacksmith and gold miner, who immigrated from Ireland to Australia in 1856, and made international news in 1879 when it was revealed he was a woman.

  

Early life and name

Mystery surrounds Evans’ early life and his choice of name.[1] He told miners he worked with in Australia that he was born in France, had stolen £500 as a boy and fled to Waterford, where he acquired his Irish accent.[2] A woman living near Corop, who claimed to be a former Kilkenny neighbour, said he was the well-born ‘Ellen Lacy’ who had an illegitimate child, fled to America, but returned in the early 1850s as ‘Mrs De Lacy Evans’ to ride her horse through a gathering called by John Ponsonby, 5th Earl of Bessborough before being ‘dragged off her pony’ and forced to ‘clear out’.[3] Evans’ third wife, Julia Marquand, said the name was a family one and his uncle was the well known British General George de Lacy Evans.[4]
After his hospitalisation, Evans said little about his past, and was described as ‘not disposed to be communicative'[3] and someone who ‘observes unusual taciturnity.’.[5] Asked why he had ‘impersonated a man’, he replied ‘Oh, it doesn’t matter, and the sooner they put me out of the way and get done with me the better.'[6]

  
Immigration to Victoria 

In 1856, Evans arrived in Victoria, Australia, then in a goldrush ‘boom’ period, aboard the Ocean Monarch as part of the ‘assisted immigration scheme’ which aimed to provide the workers and residents needed in the growing colony.[1] Evans traveled under the name Ellen Tremayne and, in the information he provided, stated that he was aged 26, born in Kilkenny, was a Roman Catholic, a housemaid and could read and write.[1]
For most of the voyage to Australia, Evans wore the same outfit of ‘a green merino dress and sealskin coat reaching almost to her ankles’ with men’s shirt and trousers,[2] and was said to have a traveling trunk full of male attire, stamped with the name ‘Edward De Lacy Evans’.[7] This, and the fact he appeared to have ‘formed sexual attachments’ with some of the women he shared a cabin with, led to on-board speculation he was a man impersonating a woman.[1] One of these women was later identified as Rose Kelly who was said to have been taken ill and, as a result, departed at Rio de Janeiro en route,[8] while another was said to have been a Mary Montague.[7] Further speculation, from among his fellow passengers, was that the ‘real’ Edward De Lacy Evans had enticed ‘Ellen Tremayne’ to take passage with him on the ship by sending his trunk ahead but he then abandoned ‘her’.[2] A later theory, not publicly mentioned during the voyage or late 19th century newspaper reports, was that the clothes belonged to Evans, and he had been wearing them prior to his immigration, but decided to make the long sea voyage – either through fear of disclosure among men, or preferring the company of women – in a female guise.[2]
 

St Francis’ Church in Melbourne where Edward De Lacy Evans married Mary Delahuntly in 1856.
 

As a condition of his assisted passage Evans, under the name Ellen Tremayne, had been indentured as a maidservant to McKeddie, a Melton hotelkeeper, at a wage of 25 shillings per week, but he soon left the position and found one of his fellow passengers from the Ocean Monarch, Mary Delahunty.[1] Delahunty was a 34-year-old governess from Harristown, Waterford, in a similar area of Ireland to Evans, and another of the ‘close attachments’ he had made on the voyage.[1] Mrs. Thompson, a passenger on the Ocean Monarch, later said that Evans and Delahunty were from the same village in Kilkenny and that Delahunty was in possession of £900.[9] She also recalled Evans saying he would marry Delahunty ‘as soon as the ship reached Melbourne'[9] and, with Evans wearing male clothes, and calling himself ‘Edmund De Lacy’, the Roman Catholic ceremony took place at St Francis’ Church.[2]

Little is known of Evans and Delahunty’s married life over the next few years but there were reports that they ‘did not live comfortably together’.[1] Evans moved to work as a miner at Blackwood, in the state’s north-west, not far from Melton where he’d been employed as ‘Ellen Tremayne’, and Delahunty followed him in 1858.[10] Delahunty established a school in Blackwood but in 1862 left to marry Lyman Oatman Hart, an American mining surveyor.[1] Delahunty told ‘all who objected to this blatant act of bigamy’ that her first marriage was not legal as Evans was a woman.[10] Delahunty and Hart moved to Daylesford where they lived through the 1860s and 1870s.[10]

Sandhurst

Evans also left Blackwood in 1862, moving to the central Victorian city of ‘Sandhurst’ (now known as Bendigo), and, describing himself as a widower, he married a 23-year-old Irishwoman, Sarah Moore.[10] Over the next five years he held various occupations including carter, miner, blacksmith and ploughman[1] and lived with Moore in several nearby towns.[10] He also owned shares in a number of gold mines and paid property rates in Sandhurst and the adjoining district of Eaglehawk.[1] When he was found in a servant’s bedroom at a local hotel he was jailed for trespass for seven days.[1][2]
In 1867, Moore died of pulmonary tuberculosis[1] and the following year Evans met, and married, a friend of his former wife’s sister, 25-year-old Julia Marquand.[10] Marquand was a French dressmaker’s assistant who lived with her sister and brother-in-law, the prominent Sandhurst businessman, and owner of the ‘City Family Hotel’,[1] Jean Baptiste Loridan.[10]
In the early years of their marriage Evans and Marquand often lived apart but the couple reconciled by 1872.[4] Evans progressed in his mining profession and their Sandhurst home was a cottage that he had built.[4] A formal studio portrait taken at this time may be significant in its representation of how they saw themselves and their ‘establishment of a stable and traditional family unit’.[10]

Bendigo Court House where Edward De Lacy Evans was sentenced to the ‘Lunatic Ward’ of the hospital in July 1879.
 
In 1877, Marquand gave birth to a daughter the couple called ‘Julia Mary’.[11] Evans later supported Marquand when she brought a child maintenance suit against her brother-in-law Jean Baptiste Loridan for the child[12] but he gave his name as father on the birth certificate.[1] Around this period Evans’ was injured at work and, while he ‘welcomed the child as his own’ he was also ‘deeply disturbed by the circumstances in which his wife became pregnant’.[11]
On 21 July 1879, Loridan took him to the Bendigo Hospital[11] as he was ‘dangerous to others’,[13] but, when told to take a bath, he refused and escaped.[13] The following day he was arrested at home and brought to the Police Court where the magistrates agreed with the medical assessment that Evans was suffering from ‘softening of the brain’ and ordered him to be involuntarily committed to ‘the lunatic wards’ of the Bendigo hospital.[14]
‘A curious incident has occurred’ Edit
For six weeks at the Bendigo Hospital Evans refused to take a bath.[6] He shared a room with a warder called Gundry to whom he said that ‘his parents were Irish, but that he had come from France when about seven or eight years of age’.[6] However, when Gundry used some French phrases, Evans claimed that he’d ‘forgotten the language’.[6] While there he had regular visits from his wife and daughter, as well as other relatives, one of whom called Evans ‘Uncle’, while Julia Mary called him ‘Dadds’.[3]
On 30 August 1879, the hospital decided to send Evans and another patient to the Kew Asylum near Melbourne, accompanied by a police constable.[6] Marquand was at the station and Evans told her to care of Julia Mary and ‘both he and his wife were weeping’ by the time they left.[6]
 
Kew Asylum in the 19th century where Edward De Lacy Evans was sent

 The events at the Kew Asylum were described in The Argus on 3 September 1879:

“A curious incident has occurred at Kew Lunatic Asylum. A lunatic was brought from Sandhurst by the police, and was admitted into one of the male wards. The patient was tolerably quiet until preparations were made for giving ‘him’ the usual bath. On the attendants attempting to carry out the programme, violent resistance was made, the reason for which proved to be that the supposed man was in reality a woman. The most singular part of the affair is that the woman had been received into Sandhurst Hospital as a male patient and sent thence to the asylum under the name of Evans. She states that she has lived at Sandhurst for many years dressed in male attire. Her age is about 35.”[15]
On 4 September 1879, the Bendigo Advertiser ran with the headline ‘Extraordinary Case Of Concealment Of Sex’ and wrote:

“One of the most unparalleled impostures has been brought to light during the past few days, which it has ever been the province of the press of these colonies to chronicle, and we might even add is unprecedented in the annals of the whole world. A woman, under the name of Edward De Lacy Evans, has for 20 years passed for a man in various parts of the colony of Victoria… As it is almost impossible to give an account of the case without making use of the masculine pronoun when referring to Evans, we propose to use that appellation… “[6]
It was soon reported by local newspapers, and then the ‘colonial and international press’, that Evans had been determined by the Kew Asylum to be a woman, and ‘promptly handed over to female nurses’ and sent back in Bendigo.[1] Evans later recalled:
“The fellers there took hold o’ me to give me a bath, an’ they stripped me to put me in the water, an’ then they saw the mistake. One feller ran off as if he was frightened; the others looked thunderstruck an’ couldn’t speak. I was handed over to the women, and they dressed me up in frocks and petticoats.”[16]
While still a patient at Bendigo, Evans said he knew who the father of his child was, made a reference to his wife not being ‘true’, and mentioned concerns about financial difficulties and possibly losing the house he had built, before adding, ‘Everything coming together was enough to drive a man mad.'[3] Marquand also spoke to the press and insisted she had never known Evans was not a man.[4]
It wasn’t only the newspapers that covered the ‘curious incident’; Stawell photographer Aaron Flegeltaub began selling copies of the formal portrait Marquand and Evans had taken in the early 1870s, while Sandhurst photographer N. White managed to gain access to the Bendigo Hospital and took a number of head-shots of Evans wearing a ‘white hospital nightshirt (or straight-jacket)’ and looking ‘wild eyed and probably affronted by the intrusion’ which were used to create an image he also sold.[1] The hospital refused requests from ‘entrepreneurs’ for Evans be ‘publicly exhibited’.[1]
‘Another intrusion’ was a gynaecological examination conducted by a Dr Penfold, which caused Evans to ‘cry and scream’ when the speculum was used, and resulted in a finding that he was ‘physiologically female’ and ‘had carried and borne a child’.[1] Evans later said the ‘examination had injured’ him.[3]
On 10 October 1879, the Bendigo Hospital declined a request by the Kew Asylum to return Evans as he ‘was improving daily, and will soon be in a fit state to be discharged’.[17] By December, Evans was declared ‘cured’ and released,[11] but, a few days later, dressed in female clothes, he was ‘still mentally distressed’ when he gave evidence in support of Marquand’s unsuccessful suit against Loridan.[1][18]

   

 Later life and legacy 

In late December 1879, Evans was part of events by ‘panorama showmen’ Augustus Baker Pierce and William Bignell in Geelong and Stawell and newspapers noted that ‘neither mind nor body possesses the vigour once so noticeable’.[1] This was followed, in 1880, by appearances in Melbourne billed as ‘The Wonderful Male Impersonator’ as part of the ‘living wonders’ at the Waxworks,[19] while Sydney shows were accompanied by pamphlets about ‘The Man-Woman Mystery’.[3]
By February 1881, Evans had applied for admittance to a Benevolent Asylum and he was sent to the Melbourne Immigrants’ Home in St Kilda Road.[1] He remained there until his death, twenty years later, on 25 August 1901.[20]
In 1897, Joseph Furphy, who, from the late 1860s, lived near Bendigo, published his first novel Such Is Life and included the comparison to Evans with the mention; ‘one of those De Lacy Evanses we often read of in novels’.[1]
In 2006, sites associated with Evans were included in the history walk presented as part of Melbourne’s Midsumma Festival.[21]

References

  1. Colligan, Mimi (Autumn 2002). “The Mysterious Edward/Ellen De Lacy Evans: The Picaresque in Real Life”. The La Trobe Journal (69). Retrieved 2013-10-03.
  2. Lucy Sarah Chesser (2008). Parting with My Sex: Cross-dressing, Inversion and Sexuality in Australian Cultural Life. Sydney University Press. p. 10. ISBN 978-1-920898-31-1. 
  3. Unknown (1880). The History and confession of Ellen Tremaye, alias, De Lacy Evans, the man-woman. Melbourne: Wm. Marshall. p. 27. Retrieved 2013-10-03.
  4. “INTERVIEW WITH MRS. EVANS.”. Bendigo Advertiser (Vic.: National Library of Australia). 4 September 1879. p. 2. Retrieved 3 October 2013.
  5. “THE SANDHURST IMPERSONATOR— EDWARD DE LACY EVANS.”. Illustrated Australian News (Melbourne: National Library of Australia). 1 October 1879. p. 155. Retrieved 4 October 2013.
  6. “EXTRAORDINARY CASE OF CONCEALMENT OF SEX.”. Bendigo Advertiser (Vic.: National Library of Australia). 4 September 1879. p. 2. Retrieved 3 October 2013.
  7. “FURTHER PARTICULARS.”. Bendigo Advertiser (Vic.: National Library of Australia). 5 September 1879. p. 1 Supplement: Supplement to The Bendigo Advertiser. Retrieved 4 October 2013.
  8. “Ellen Tremaye, alias Edward De Lacy Evans, the Female Impersonator.”. Australian Town and Country Journal (NSW: National Library of Australia). 11 October 1879. p. 32. Retrieved 4 October 2013.
  9. “Ellen Tremaye, alias Edward De Lacy Evans, the Female Impersonator.”. Australian Town and Country Journal (NSW: National Library of Australia). 11 October 1879. p. 32. Retrieved 4 October 2013.
  10. Lucy Sarah Chesser (2008). Parting with My Sex: Cross-dressing, Inversion and Sexuality in Australian Cultural Life. Sydney University Press. p. 11. ISBN 978-1-920898-31-1.
  11. Lucy Sarah Chesser (2008). Parting with My Sex: Cross-dressing, Inversion and Sexuality in Australian Cultural Life. Sydney University Press. p. 13. ISBN 978-1-920898-31-1.
  12. Lucy Sarah Chesser (2008). Parting with My Sex: Cross-dressing, Inversion and Sexuality in Australian Cultural Life. Sydney University Press. p. 16. ISBN 978-1-920898-31-1.
  13. “The Female Impersonator.”. The Northern Territory Times and Gazette (National Library of Australia). 15 November 1879. p. 2. Retrieved 4 October 2013.
  14.  “CROSS PURPOSES.”. Bendigo Advertiser (Vic.: National Library of Australia). 23 July 1879. p. 2. Retrieved 3 October 2013.
  15. “Victoria.”. The Evening News (Sydney: National Library of Australia). 3 September 1879. p. 2. Retrieved 3 October 2013.
  16. Pryor, Lisa (2012-08-04). “Born as a girl”. Daily Life (Fairfax). Retrieved 2013-10-03.
  17. “SANDHURST.”. The Argus (Melbourne: National Library of Australia). 10 October 1879. p. 3. Retrieved 4 October 2013.
  18. “Victoria.”. The Evening News (Sydney: National Library of Australia). 6 December 1879. p. 5. Retrieved 4 October 2013.
  19. “DEATH OF DE LACY EVANS.”. The Argus (Melbourne: National Library of Australia). 27 August 1901. p. 5. Retrieved 4 October 2013.
  20. “MAN IMPERSONATORS.”. Queanbeyan Age (Queanbeyan, NSW: National Library of Australia). 23 November 1906. p. 4. Retrieved 4 October 2013.
  21. Hunter, Tim (2006-01-26). “The queer streets of Bearbrass”. The Age. Retrieved 2013-10-03.

External links

  • Pamphlet sold at Sydney ‘shows’: The History and confession of Ellen Tremaye, alias, De Lacy Evans, the man-woman (1880)

   
  
    

   
   

   
    
    
           
    
    
    
           
    
    
          

  
 
 

  
   

  

  

   

 
  

  

   

  

  

  

  

  

  

  

  

  

Daily Mail Australia – 14 August 2014

By Louise Cheer for Daily Mail Australia

Was this Irish maid Australia’s first transgender person? Ellen Tremayne was leading a double life as Edward De Lacy Evans in 19th century Victoria

  1. For about 20 years of his life, Edward De Lacy Evans lived as a man
  2. He was born in Ireland as Ellen Tremayne and died in 1901 in Melbourne
  3. Mr De Lacy Evans was married three times and was ‘father’ to one daughter
  4. He worked as a carter, miner, blacksmith and ploughman across Victoria

The story of Edward De Lacy Evans read like every other man’s in the 19th century – he was a labourer, husband and father.

But underneath the suit and tie was a body of a woman named Ellen Tremayne – also known as Ellen Tremaye – who could have been Australia’s first transgender person.

Mr De Lacy Evans arrived on Australian shores from Ireland in June 1856 as an assisted immigrant on-board the Ocean Monarch.

It is speculated he was born between 1829 to 1841 due to a discrepancy in shipping lists, and birth, marriage and death certificates.

      

De Lacy Evans who could be Australia’s first transgender person as a woman (left) and as a man (right) during his stint in Kew Asylum
  

A portrait of Edward De Lacy Evans in male and female attire. The image is probably a fake cut-and-paste produced by a photographer after it was discovered De Lacy Evans was a man

According to ship records, he was a 26-year-old Roman Catholic from Kilkenny who could read and write, and was listed as a housemaid.

When she arrived in Victoria, Mr De Lacy Evans was still known as Ellen Tremayne and caused quite a stir on the trip over.

According to the State Library of Victoria’s The La Trobe Journal, he wore a man’s shirt and trousers underneath his dress and had formed sexual attachments to some of the other female passengers on the Ocean Monarch, including his soon-to-be first wife, Mary Delahunty – a 34-year-old governess who was also from Ireland.

He travelled with a trunk labelled with the name ‘Edward De Lacy Evans’ on it who, according to De Lacy Evans’ third wife, was his uncle.

There was also speculation her husband or lover was named ‘Edward De Lacy Evans’ and he had somehow tricked the transsexual by placing his trunk on the Ocean Monarch and deserted the 26-year-old.

Mr De Lacy Evans’, who was still identified as a woman, first job in Australia was as a maidservant at a Melton public house but some time after he left his position and started dressing like a man, and ditched the name of Ellen Tremayne.

   

Mr De Lacy Evans continued living as a man for 25 years after he left Kew Asylum in 1879 (left) and the right picture is of him and his third wife, Julia Marquand
 

Now as Edmund De Lacy, he went and sought out Ms Delahunty, marrying her at St Francis’ Roman Catholic Church in Lonsdale Street, Melbourne.

But their marriage was not a happy one, with evidence suggesting they ‘did not live comfortably together’.

After Ms Delahunty opened a school in Blackwood, she left Mr De Lacy Evans and married an American mining surveyor Lyman Oatman Hart who lived in Daylesford – north-west of Melbourne.

In the next 20 years, Mr De Lacy Evans married twice – his second wife was Sarah Moore who died of pulmonary tuberculosis in 1867 and a Julia Marquand of Bendigo – north of Melbourne.

Mr De Lacy Evans worked as a carter, miner, blacksmith and ploughman in the areas of Blackwood, Bendigo and Stawell.

The breakdown of his third marriage came after March 1878 when Ms Marquand gave birth to a child fathered by her brother-in-law, Jean Baptiste Loridan.

Despite Mr De Lacy Evans knowing it was not his child, he registered himself as the child’s father but his resentment over the pregnancy started taking its toll on the marriage.

In July 1879, he started violently acting out against Ms Marquand and his 15-month-old daughter, fell into a deep depression and then was admitted to Bendigo Hospital’s lunacy ward for amentia – a mental disability.

 

Another portrait done of Mr De Lacy Evans done by Aaron Flegeltaub who was active between 1882-1891
 
For the first six weeks of his stint in the hospital, Mr De Lacy Evans refused to bathe until he was transferred to the Kew Asylum and forcibly stripped that his secret was discovered.

He was handed over to female nurses and forced to dress as a woman

In an interview, Mr De Lacy Evans’ recalled the moment he was outed as a female at Kew Asylum.

‘I was sittin’ the carriage at the railway station, an’ the wife was cryin’ and the kid was squealin’, an’ I was laughin’ at ‘em,’ he said during an interview.

‘Well, when we got to Kew, the fellers there took hold o’ me to give me a bath, an’ they stripped me to put me in the water, an’ then they saw the mistake. 

‘One feller ran off as if he was frightened; the others looked thunderstruck an’ couldn’t speak. 

‘I was handed over to the women, and they dressed me up in frocks and petticoats.’

Mr De Lacy Evans’ outing as a female caused a worldwide stir, with one photographer named Nicholas White sneaking into the hospital and taking photos of the transsexual dressed as a man and a woman as well as possibly a straitjacket.

As a transgender person, Mr De Lacy Evans’ faced brutal treatment inside the asylum including a report done up by The Australian Medical Journal that said he cried and screamed as he was probed during a gynaecological examination – which verified he was a physiologically a woman.

A drawing done of Mr De Lacy Evans entitled The Sandhurst impersonator working as a man at the Victorian goldfields

With the news in circulation, Mr De Lacy Evans received offers to be ‘publicly exhibited’ and after his release from Kew Asylum he took up the opportunities. He was once offered three to five pounds per week for a tour.

He appeared as ‘The Wonderful Male Impersonator’ at St Georges Hall on Bourke Street in Melbourne in January 1880 and another time alongside a trapeze artist and ‘The Electric Boy’ at Sydney’s Egyptian Hall on George Street in September 1880.

When the truth came out his wife, Ms Marquand denied knowing her husband was in fact a woman and accounted for her daughter’s existence by telling reporters: ‘Some strange man entered the house one night about the time her husband should have returned home’.

Ms Marquand also stated her husband would never let her see him stripped or washing himself.

Additionally, Mr De Lacy Evans could have fooled his wife into thinking he was a man by fashioning a homemade strap-on dildo.

There was also evidence Mr De Lacy Evans’ second wife, Sarah Moore, found out about her husband’s cross-dressing about a year into their marriage

A witness reported seeing Ms Moore punching Mr De Lacy Evans in the breast – her ‘weak place’.

Mr De Lacy Evans lived as a man for another 25 years and found no success in show business. 

In February 1881, he was applying for relief at the Melbourne Police Court and wanted to be admission to the Benevolent Asylum.

Mr De Lacy Evans died in August 1901 in the Melbourne Immigrants’ Home at St Kilda Road, where he had been since February 1881.

Read more:

The Mysterious Edward/Ellen De Lacy Evans: The Picaresque in Real Life – No 69 Autumn 2002 – La Trobe Journal

Read more: http://www.dailymail.co.uk/news/article-2726564/Was-Irish-maid-Australias-transgender-person.html#ixzz3y3uiLcvB 
Follow us: @MailOnline on Twitter | DailyMail on Facebook

From La Trobe Journal

No 69 Autumn 2002