There appears to be nothing on the internet about the G.O.D Girlgang, not even within the profiles and written accounts of its founders. This makes this article about the gang, solely from my own archived resources, an essential inclusion into the gay history of Sydney. That any groups can come and go, and be undocumented in any wa concerns me, as gangs such as G.O.D were integral in the relationships between gay men and lesbians in the late 1989s, early 1990s period, as well as highlighting a movement within the lesbian community, a move away from PC dogmatic women, to a more open, diverse and inclusionist community. Despite its brief existence, it was a watershed moment in mixed relations between the two distinct sectors of the community.
a group of people who associate together or act as an organized body, esp for criminal or illegal purposes”
“Girls of Disgrace, Girls of Dishonour, Girls of Desire; G.O.D. Is limited only to your steamy imagination.
G.O.D. is on a mission to spread the concept of Girlgangs, and its subsequent feelings of power through identification/unification. G.O.D. is not meant to be taken too seriously.
IN SEVEN DAYS following the creation of a name, a patch design is produced depicting a sword with a snake wound about its length. Living on the cutting edge? (Now, don’t take us too seriously).
A group of army green jackets adorned with a variety of badges, bolts, skins, and other sundry odds and ends.
G.O.D. patches grab each shoulder in splashes of red and grey. Underneath, the optional shirt harbours similar coloured emblems.
COMPRISES OF Desert Rangers, the Kiss and Make-up contingent, SM girlies, Vanilla Sluts, hard-core uniform-ists and lingerie fetishists. (But don’t take us too seriously).
ATTITUDE while in walk thirteen G.O.D. members. Watch the heads turn. Will we stop at the number fit for a witches coven?
G.O.D. is not separatist,. Guys of Disgrace have recently gained admittance complete with blue patches and leather.
AND FUN with future G.O.D. sex/bondsge/SM/porn/initiation/dance/parties a possibility? Why not!”
Such was the blurb from “Wicked Women” magazine for the first outing of G.O.D. in the mrdia. Girls/Guys of Disgrace was founded by Francine (Jasper) Laybutt, Lisa Salmon & Jade Moon Kemeny around 1989/90. Francine was a radical lesbian in every sense of the word. She walked the outer limits of the lesbian world, prmoting the more butch forms of sexuality, the darker world of BD/SM. She was the founder of “Wicked Women” magazine, and used it as a platform to promote her more radical attitudes to lesbiansm. Often shunned by her own community, and with her partner Lisa Salmon, often derided and humiliated for holding beliefs and practises contrary to what was considered the norm in that world.
That she founded G.O.D shiuld notbe surprising in the face of her views on confrontstion, public outrageousness, yet inclusiveness. She advocated non-penetrative sex with gay men (slantrd more towards the gay leather, BD/SM community), and after her sex reassignment surgery and becoming Jasper Laybutt, she referred to herself not just as a female-to-male teansgender, but as a male lesbian…language that would have sent most mainstream lesbians into a tail spin!
In William Calder’s book “Gay Print Media’s Golden Era: Australuan Magazines and Newspapers 1070-2000” he notes:
“Inspired by the American lesbian sex fetish magazine On Our Backs – its title a deliberate riposte to the feminist magazine Off Our Backs – Francine Laybutt and Lisa Salmon published Wicked Women in Sydney at the start of 1988 to fill, as they put it, the “gaping hole” in women’s erotica, and promised “a forum for erotic ideas and … hot, one-handed reading”.(138) They aimed to bring into the open lesbian sexual practices such as sadomasochism for those who silently fantasised about such activities and let their readers see there were other similarly minded women they might meet. From the start, the magazine triggered debate within the lesbian community, and Laybutt says they were “surprised and unprepared for the degree of hostility” directed against them.(139) Sadomasochism, bondage, and even dildos were seen at the time “by the lesbian feminist paradigm … as violent patriarchal constructs”.(140) The pair would get thrown out of dyke clubs for wearing fetish gear and Salmon “who didn’t usually wear much at all would have drinks thrown on her … cigarettes surreptitiously put out on her [and] spat on sometimes”.(141)
Born at the start of the 1960s,(142) Laybutt grew up in the city of Newcastle and watched drag shows at the town’s one gay pub, but soon moved to Sydney where the gay scene was bigger.(143) She worked as an art teacher but “didn’t like teaching unruly teenagers”, and switched to computer design work with a North Shore communications company. Laybutt found her “true vocation” as Dominatrix Natasha in the sex industry,(144) and shared a flat with fellow former Catholic school girl Lisa Salmon,(145) who in her early 20s worked as a performance artist and stripper.(146) The pair started a relationship and decided it would be as a “fetish couple”.(147)
The first issue of Wicked Women was a 28 page A4 black and white with a pictorial cover selling for $4. It included poetry, personal classifieds and features exploring lesbian sexual fetish in an attempt to broaden individual lesbians’ definition of their lifestyle. To produce Wicked Women they bought an old electric typewriter that ironically would not print the letter ‘w’, so they “had to manually push the letter against the page” and the pair wrote most of the articles “under a variety of pseudonyms to make it appear as though they had lots of contributors”.(148) Laybutt’s “very open-minded” boss let them use the work photocopier on the weekend to print 90 copies of the first issue. Subsequent issues grew in size and cover price, peaking at 60 pages for $8, with up to 1000 copies printed.(149) The aim was six issues a year, though usually fewer were published. The magazine that Laybutt and Salmon created “reflected” the sadomasochistic sexual activity they were doing,(150) and they hoped it would let them meet other women “sharing the same experience”.(151) Salmon says “the seventies feminist thing just ended up being girls telling each other what to do. It became really dogmatic and it took the fun out of sexuality and being a dyke”.(152) Commentator Julie Catt says Wicked Women triggered a “lesbian sexual revolution”,(153) and others say it added “many new words to the lesbian sexual vocabulary – sadomasochism, fetishism, gender fuck – to name but a few”.(154) Wicked Women ran stories about a woman who was “horny for weeks, and masturbated ferociously”,(155) one from a woman who described how she was “blindfolded and placed in standing bondage [while f]ingers pinch my skin, pull at my hairs, slap my behind, teasing”,(156) and the dominatrix who wrote how her submissive “moaned, groaned, pleaded, yelled, screamed [and] begged me to stop but the juice was flowing freely down her inner thighs. Her cunt was writhing in frustration [wanting] me to fuck her to the point of exhaustion”.(157)
The first cover had the words: “Erotica Poetry Graphics SM Classifieds Decadence” above a graphic of a naked woman with a dog collar around her neck. Photographs of usually one or two women models soon replaced graphics on the cover. The magazine though was not simply pornography for lesbians. It explored sexual themes and often used playful images. There was a blurred photo of a naked cropped hair woman wearing a dog collar and seated cross-legged on bed,(158) a photo of a sultry woman in full leather jacket and cap looking piercingly into the camera,(159) and a party girl staring at the camera while pulling open her jacket to expose her breasts.(160) Inside were photo-spreads of women in leather or at sexual fetish events, and in one issue a photo-essay of open vaginas being fist-fucked.(161)
Quite apart from the publisher’s open promotion of sadomasochism there were a series of publishing events that triggered condemnation. In an early edition Linda Dement’s photograph of a woman holding a skinned rabbit against her vagina caused an uproar,(162) and the magazine was subsequently banned from at least one Melbourne feminist bookstore. Laybutt defends the photograph as “art … a strong image, but not an anti-woman one. It was widely misunderstood”.(163) A year later the inclusion of a gay male pedophile group press release,(164) led to “a ‘girlcott’ … sold very badly and lost some readership”,(165) followed the next issue when “all hell broke loose”,(166) after publishing an article written by a self-confessed “misogynist” gay leather man.(167) The final major controversy to confront the publishers of Wicked Women was Laybutt undergoing medical procedures to become a transman. “I was a tomboy” growing up, he says,(168) and in 1991 adopted the name Jasper, instead of Francine.(169)
Supporters of Wicked Women wrote letters to say “it’s wonderful to know there are other dykes out there into ‘unsound’ sex and games”.(170) Another said it was “important that women have a space where they can be upfront and honest about who they are and what they like”,(171) and one declared “I now, most times when going out to nightclubs and such, dress in leather”.(172) Some feminists engaged directly with the sexual desire implicit in Wicked Women’s content. One supported “expressions of lesbian sexuality which are exciting, dangerous and diverse” yet maintained the utopian goals of lesbian feminism “to rethink the relationship already in play between the phallus/cock/gun and power” concluding: “we wait with quivering clits for the day a woman submits her fiction in a non-male constructed language”.(173) With time this occurred as Laybutt and Salmon invited contributions from readers who submitted articles other than ones with sadomasochistic themes but “often vanilla or romantic sex flavoured and relatively sexually ‘safe’” articles.(174)
Less obvious than its challenge to existing ideas around lesbian sexual practices, was the role Wicked Women played in building lesbian community. Its classified personals included the expected: “23 Year Old into leather, looking for experienced S/M dyke to worship”,(175) but were also used by a range of lesbians to seek partners, such as “slim 22 yr old, strawberry blonde, desperately searching for my dark earth mother”. The magazine ran contact details for local lesbian social groups, and advertisements for Sydney’s Gay and Lesbian Mardi Gras. Wicked Women organised what became a popular annual event, the Ms Wicked competition “in which lesbians stripped and performed sexual acts for enthusiastic all-female audiences”.(176) More than 500 attended a Melbourne heat in 1991.(177) Wicked Women organised a Mardi Gras dance party Be Wicked that was raided in the early hours by police with the patrons “herded out”,(178) and Girl Beat at the gay male sex-on-site venue The Den.(179)
The magazine’s editor from 1994, Kimberly O’Sullivan said the “events proved to be enormously popular and [mainstream lesbians] saw we had a role in the lesbian community. It demystified us for them”.(180) The activities of Wicked Women’s publishers also helped draw together the lesbian and gay male communities that in the 1980s lived largely separately from each other. Laybutt had always found the gay male scene “infinitely more interesting” to explore.(181) She was a member of two gay male motorcycle clubs, and even attended male only fetish events, passing as a young guy. Early support for the magazine came largely from the gay male community and the emergence of Wicked Women provided a vehicle to “bridge the gap” at least between the gay male and lesbian fetish communities.(182) In 1993 Wicked Women organised a Mr Wicked competition.
The controversial nature of Wicked Women attracted attention but its generally uncompromising stance on content alienated both potential buyers and advertisers and caused significant problems for the venture as a business. While the primary aim was to present sex radical ideas, the bills still needed to be paid and its 1993 editor, Kimberly O’Sullivan said they started “to think more seriously about the risks [of accepting] an article which will alienate half of your readership”.(183) There were difficulties from their first Catholic owned commercial printer who dumped them after they ran a photograph of a women stroking her vagina with a statue of the Virgin Mary.(184) Lesbian hotels initially refused to stock the magazine,(185) and the women’s bookshops that did stock it “kept the magazine hidden under Lesbian Network so no- one ever saw it”.(186) At first only gay male leather, and sex shops stocked Wicked Women and it was distributed by subscription to mainly Sydney women, though also to other areas around the country and overseas, and some men.(187) The only advertising support the magazine attracted initially was from leather fetish and sex product shops run by gay men as “lesbian businesses … would not touch them”.(188) Each ‘girlcott’ and refusal to display the magazine reduced sales and increased reliance on organising fund-raising events.(189)
Apart from publishing Wicked Women, Laybutt in 1990 was involved in editing the mixed gay and lesbian alternative journal of arts, culture and sexuality, Hell Bent, and in 1991 Pink Ink: An anthology of Australian lesbian and gay writers. By 1994, both Laybutt and Salmon had stepped back from the front line of editing, handing responsibility to O’Sullivan, who later described her job as “administrator, book- keeper, accountant, publicity officer, advertising manager and delivery driver – in short, doing every single thing on the magazine from beginning to end”. Two years later she resigned due to the work pressure that came on top of the need to work a second full-time paid job, bemoaning that she “had almost no social life (and felt) burnt out”.(190) When Salmon stopped organising fund-raising events the magazine became financially unsustainable. O’Sullivan was not replaced as editor with Laybutt declaring “I feel that having become a man, I’ve moved on to different things” and Wicked Women ceased publication in 1996 after 28 issues.(191) Laybutt returned to live in Newcastle and became involved in publishing New Age ideas.(192)
The publishers of Wicked Women successfully appealed to the sexually libertarian section of the lesbian community, and in doing so challenged established feminist attitudes towards sexuality. They found a market niche and expanded, creating new social infrastructure and profoundly changed broader lesbian community attitudes towards sexuality. Ultimately though the publishing venture failed to become financially self-sustaining and closed when individual publisher energies waned.”
It is against this background, and in the midst of, that the G.O.D Gang was formed. Amongst my recollections are attending a patty in the vicinity of Zetland, held in a warehouse, and consisting primary of G.O.D & Dolphin Motor Club members. I was one of the DJ’s (who had to deal with a DJ rig suspended from the ceiling on chains, and would often swing out from the mezzanine area it was set up in – and you had to make sure you didn’t follow it). During one of my sets, I watched as Francine (she had not undergone sex reassignment surgery at this stage) opened a door in the floor of the warehouse that obviously led down to a basement area. She went down the stairs, and was followed by half-a-dozen of the male members. I have no accounts of what went on down there, but considering Francine’s stand on gender-fuck issues, and the liberality of many males in the leather scene, I dare say it would have been quite eye-ooening. In the above excerpt from the book, there is a nod to me as the manager of “Numvers” Bookstore, being one of the gay managers and businesses that advertised in, sold, and supported Wicked Women, and their events. This also indicates the divisions not just within the gay community at that time – the separist nature of gay men & lesbians, but also the divisions within the lesbian community, the strict dogmatic approach they had to women who marched “outside the square”. The same cliques existed within the gay male community – leathermen, bears, twinks, vanilla, BD/SM, clones etc – but this did not prevent guys crossing over into several cliques, and when required, they all socialised together. This possibly explains Francine’s attraction to the gay male community, along with the support it offered her, and her ventures. In many respects, G.O.D became a catalyst for a change in relationships between gay men & lesbians – well, at leadt those that wrre liberal minded, and not pushing agenda’s.
The two following accounts are important for several reasons – there is – sermingly – no information on the G.O.D Gang on the internet; the “So Help Me G.O.D” piece has a run-down of resolutions reached in the first group event, giving sn indication of how and why the gang was created, its structure, purposes and intentions. It also shiws how the gang started to grt its name out there through its involvement in some of the more “out there” events that were happening, and through integration with groups like the Dolphin Motor Club, The Griffins Motorcyle Club, and Dykes On Bikes.
From the Dolphin Motor Clubs newsletter “Quid Nunc”, Volume 1, Issue IV. 1990. Both articles are from the same issue.
“So Help Me G.O.D.”
“In the geginning there were Three. And behold, the Three looked down on us and said ‘We heed a Girlgang.’ And so it was done, and a Girlfang was formed. AndGOD gave unto its members a symbol if their unity: a red patch, thereon emblazoned a serpent encircling a sword. Then GOD looked down on us once again, and said ‘There is disunity in our community,’ and they took a thresd from the red patch, colour changed it, and came forth with a blue patch. Thus were guys brought into the unity of GOD. And the Three looked down, and said ‘Thus us good,’ and behold, it was very good.”
G.O.D. (Guys/Girls of Disgrace/Dishonour/Degradation/Discipline/Denigration…intrrpret it as you will) is group of girls and guts who fall into the classification of a gang. Despite the connotation of the word ‘gang’ meaning a groupmof louts, storm-trooping all iver town , fighting, jaiming, and causing general discord, the word ‘gang’ actually refers to a group of people, loosely based with no constitution or club rules to bind them. There us no official hierarchy, and no regular meetings as such. Members basically have a common interest (most GOD members are into leather sex in all or sundry of its variations) and vasically get together just for a good time. A meeting could be said to be happening when two or more get together for a drink and a chat.
The Dolphin’s three Special Memgers: Francine, Jade & Lisa, are not onlybGOD girls, but founders of the group. Paul Costello, Geoff Arnold, and Tim Alderman are also members of GOD, and Les Heathfield is an HonoraryvMember. GOD girls are all invited to Dolphin events, and in return all Dolphin members are invited to all GOD, and Wicked Women events, apart from thise deemed girls only. It is hoped that in the future, GOD and the Dolphins can get together to hold functions, or jointly sponsor functions. Membership currently stands at 22 girls, and 8 guys. The patches are red for the girls, and blue for the guys, and feature a snake entwined an upward pointing sword. Thus with the initials of our name, the symbolism can ge interpreted any way uou want.
The recently GOD sponsored event for the Ms Wicked Competition was a tremendous night, with Tim Alderman from DMC one of the 5 judges for the event. The more recent Slave/Master/Mistress celebrity auction (see write-up this issue) just goes to show what girls and guys working together can really do. Our first official gang merting was held in our Clubroom in Ultimo on Wednesday 30th May. About 25 members were present, plus about 5 visitors, including 2 women connected to the Mardi Gras committee, and a number of resolutions were passed by gang memgers.
*We are now closing ranks. Whereas before this night it was possible to become a gang member by the purchase of patches, membership is now only possible by a written submission, the applicant then having to come before a panelmof selectors to have their suitability as a gang member judged.
* The panel of selectors was set ip, consisting of two founding members (one founding member must always be on the panel), one male nember, and two other girl members. Membership if the panel will be rotated over a three-month period. As the guts membership increases, we will be granted a second position on the panel.
* We recognise that there would, in all probability, be two distinct sectors within the membership: a social sector of people who support the group and wear the regalia, but who for resons of jobs, profile etc. would not in all probability be involved in any “disgraceful” activities: and a “hard-core” sector who would bege involved in street thestre, demonstrations, narches, and other disgraceful activities . Neither group would be condemned by other members of the gang because of their stand.
* We wish to involve ourselves in the activities of other groups, such as Act-Up, to help them achueve chanfes as well as having our own group identified. We would also ge planning parties, competitions, auctions etc for members, friends, and the community in general.
* Any monies accrued would be used for the benefit of the group in arranging parties, promotions, events, and special meetings.
* We would maintain our loose knit structure with no formalised committee or such, to maintain our independence as a gang. However, the founding members would have the final say as regards all decisions in the gang. The panel if selectors would mert on a regular basis.
* We would, at allntime, support community causes, especially in areas such as AIDS, and AIDS treatment.
* We must become noticeable, and identifiable , the patch myst gecome identifiable as a symbol,of people who are involved T nany levels of communal help, as well as a certain degree of outrageousness.
We all keft the merting knowing something monumental was happening. Barriers between poofs and dykes were down, and together we were going to make an impact of positiveness in this city, and hopefully further afield.
I Was A Slave Master for G.O.D
Total darkness reigns. Through the darkness comes the opening spaceship sounds of Isao Tomita’s 2001 Theme: Thus Spake Zarathustra. The theme reaches a crashing crescendo, and fades with the same rumbling space ship sounds. Before the haunting opening bars of “Camina Burana” mixes into it, the sound of whips, much weeping, wailing and cries for mercy are heard approaching from out of the darkness. The Orff Chorus booms all around, and suddenly dazzling light fills the empty space, refracted through the incense smoke from an ancient thurible swung by a nun, as she attempts to placate and enlighten the chained throng of slaves that are being whipped into submission behind her. Struggles ensure, but the whip mistresses, Centurian guards, and the executioner keep everybody in line! Chains clank, cries get louder, and the incense smoke thickens as they encircle the herculean pillars, and the block from which they will shortly be despatched to heaven…or hell on earth. As the strains of “Carmina Burana” fade, the Centurians lead the slaves off the floor to the enmeshed holding pen. Their fatalistic cries die as the whip mistress finally subdues them into total submission.
No, not a scene from “Ben Hur” or “Quo Vardis”, but the entry procession for the G.O.D Slave/Master/Mistress Celebrity Auction, held at the Midnight Shift on Sunday 9th September (1990). We stated in the sdvettising that all manner of celebrities, and sleaze buckets, would be going under the hammer for charity…and we meant it!
Paul and Francine from G.O.D introduced the event, then handed the evening over to the very capable and outrageous whims of Monkey., from Tantrum Tits Lingerie, who was the evenings MC and auctioneer. Despite some early hassles with a faulty microphone, she handled the night as only Monkey can – totally over-the-top!
First to the block was Tim Vincent, Mr South Sydney Drummer who, despite a sign written on his back claiming “You can’t afford me” started the bidding off well and – sorty Tim…but someone could, and did, afford you: Matthew Cox, of the Dolphins, actually.
Monkey wasted no time in pushing the bids through, and that auctionees, and their potential owners were equally in agreement with the purchase. In rapid succession, Mr East Sydney Drummer, Bondage Boy, Toy Girl, and Slave Boy were put on the block…and dispensed with!
Many of those to be auctioned went to great lengths to add some theatre to the event, with costuming and dramatic performances. Toy Girl, and Cleopatra, were of special note, using dramatic music and great costumes. Cleopatra seduced the crowd beautifully, as only the Queen of the Nile could, though the gentleman who purchased her was quite obviously totally confused and befuddled by the whole event. The San Francisco motorcycle cop looked hot, and went for a good price. Bossy Boots was determined not to leave the block until she went for what she was worth. The two Sisters of Perpetual Indulgence were given lessons in humility from the pathetically low bids they attracted. Reverend Mother Abyss is destined for a longbstay in Purgatory for her little white lies – 19years old, and still a virgin! Mea Culpa, Reverend Mother!
Jade bought her cartoon Cowgirl character to life, and despite the lack of a horse still fetched a reasonable price. Footy Girl, and School Boy, both dressed for the part, came and went. The Safe Sex Sluts decided to go as a group lot, and despire much wig pulling and stiletto throwing were eventually dispensed of. The unlikely named Captain Falafel and hus didekivk Kid Sprout, looking like two flared and flowered hippies still recovering from a Sixties bad acid trop, brought some hilarity to the night, and were ladt seen being bullied and raped (playfully) under the DJs box.
Ms Wicked was the final official entrant yo the block, and with much teasing, taunting and sexual persuasion eventually went for $800,000 ($200 in real money) after a group if girls pooled their resources.
Monkey, unbeknown to her at the time, was then grabbed by the Centurians, and led to the block. Having insulted just about everyone in the surrounds on the floor by this stage, bidding was bound to be high, and she was going for actual cash! Monkey took it all with good grace, got into the mood of the bidding by hurling out a few more insults to remind people of how much she was actually disliked, declared that she was sick of girls, and wanted a guy for a change, and eventuallybwent for $70.
This brought the evening to a close. As the 2001 Theme again faded away, the dual DJs Gemma & Tim got the crowd onto the dance floor, and held them there until the midnight closing.
$810 was raised for yhe Maitraya Day Centre, and Victoria’s “Lesbian News”. The entire night was an unprecedented success.
- “Gay Print Media’s Golden Era: Australuan Magazines and Newspapers 1070-2000” https://minerva-access.unimelb.edu.au/bitstream/handle/11343/54653/%252520%252520%252520%252520%252520%252520Gay%252520Media’s%252520Golden%252520Era%252520THESIS%252520PASSED.pdf?sequence=1
- 138 – Editorial,” Wicked Women Vol 1, No 1, 1988
- 139 Kimberly O’Sullivan, “Five Years of Infamy,” Wicked Women January 1993.
- 140 Author interview with Jasper Laybutt 2013.
- 141 Author interview with Jasper Laybutt 2013.
- 142 “Jasper Laybutt,” in Kink, ed., Kerry Bashford (Wicked Women Publications, 1993).
- 143 Author interview with Jasper Laybutt 2013.
- 144 “Jasper Laybutt.”
- 145 Julie Catt, “What Wicked Did for Women,” Sydney Star Observer 1 August, 1996.
- 146 Lumby, Bad Girls, p. 88, quoting Lisa Salmon.
- 147 Author interview with Jasper Laybutt 2013.
- 148 O’Sullivan, “Five Years of Infamy.” Also Graeme Hindmarch, “Ever More Wicked,” Capital Q 1 October 1993.
- 149 Author interview with Jasper Laybutt 2013.
- 150 O’Sullivan, “Five Years of Infamy,” quoting Laybutt.
- 151 Catt, “What Wicked Did for Women.”
- 152 Lumby, Bad Girls, p. 88, quoting Lisa Salmon.
- 153 Catt, “What Wicked Did for Women.”
- 154 O’Sullivan, “Five Years of Infamy.”
- 155 Elena, “True Confessions of a Lying Romantic,” Wicked Women Vol 1, Issue 3, 1988. 156 “Fantasy,” Wicked Women Vol 1, Issue 1, January 1988.
- 157 Jamie, “Raw Cunt,” Wicked Women Vol 1, Issue 1, 1988.
- 158 Wicked Women Vol 1, No 3, 1988.
159 Wicked Women Vol 1, No 5, 1988.
- 160 Wicked Women Vol 1, No 11, 1990.
161 Linda Dement, “Fistfuck II – 1987,” Wicked Women Vol 1, Issue 3, 1988.
- 162 “Woman with a Rabbit 1 – 1987,” Wicked Women Vol 1, No 3, 1988.
- 163 Kimberly O’Sullivan, “Five Years of Infamy,” Wicked Women January 1993.
- 164 “Blaze,” Wicked Women Vol 1, No 7, 1989.
- 165 O’Sullivan, “Five Years of Infamy.”
- 166 Ibid.
- 167 “True Confessions,” Wicked Women Vol 1, No 8, 1989.
- 168 Author interview with Jasper Laybutt 2013.
- 169 Mikey Halliday, “Jasper,” Campaign August 1991. Also Leigh Raymond, “New Queers on the Block,” Capital Q 9 October 1992.
- 170 Zenith, “Letters,” Wicked Women Vol 1, Issue 3, 1988.
- 171 Michelle, “Femail,” Wicked Women Vol 1, Issue 9, 1990.
- 172 Angel, “Editoria,” Wicked Women Vol 1, Issue 8, 1989.
- 173 Vicki/Shan, “Femail,” Wicked Women Vol 1, No 10, 1990.
- 174 O’Sullivan, “Five Years of Infamy.”
- 175 Wicked Women Vol 1, No. 10, 1990.
- 176 Lumby, Bad Girl, p. 88, quoting Lisa Salmon.
- 177 “Ms Wicked,” Campaign August 1991.
- 178 O’Sullivan, “Dangerous Desire,” p. 122.
- 179 O’Sullivan, “Five Years of Infamy.”
- 180 Ibid.
- 181 Author interview with Jasper Laybutt 2013.
- 182 Author interview with Jasper Laybutt 2013.
- 183 O’Sullivan, “Five Years of Infamy.”
- 184 Linda Dement, “Untitled,” Wicked Women Vol 1, No 5, 1988.
- 185 Sandy Merton, “Letters,” Wicked Women Vol 1, Issue 3, 1988.
- 186 O’Sullivan, “Five Years of Infamy.”
- 187 Author interview with Jasper Laybutt 2013.
- 188 O’Sullivan, “Five Years of Infamy.”
- 189 Author interview with Jasper Laybutt 2013. Also “Editoria,” Wicked Women Vol 2, Issue 2, 1991.
- 190 Wicked Women No 28 1996.
- 191 Julie Catt, “Dyke Mag Future in Doubt,” Sydney Star Observer 21 March 1996.
- 192 Author interview with Jasper Laybutt 2013.